Awards

• Winner of Costa Novel Award.
• Winner of IMPAC Dublin Literary Award.
• Winner of Irish Novel of the Year.
• Winner of Tubridy Listeners' Choice Award.

Overview

Now a major motion picture starring Rooney Mara An epic story of family, love, and unavoidable tragedy from the two-time Booker Prize finalist and author of Old God's Time Sebastian Barry's novels have been hugely admired by readers and critics, and in 2005 his novel A Long Long Way was shortlisted for the Man Booker Prize. In The Secret Scripture, Barry revisits County Sligo, Ireland, the setting for his previous three books, to tell the unforgettable story of Roseanne McNulty. Once one of the most beguiling women in Sligo, she is now a resident of Roscommon Regional Mental Hospital and nearing her hundredth year. Set against an Ireland besieged by conflict, The Secret Scripture is an engrossing tale of one woman's life, and a poignant story of the cruelties of civil war and corrupted power. The Secret Scripture is now a film starring Rooney Mara, Eric Bana, and Vanessa Redgrave.

Full Product Details

9780143115694

Table of Contents

Reviews

[Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night. --Dinitia Smith, <i>The New York Times</i> Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down. --Margot Livesey, <i>The Boston Globe</i> Luminous and lyrical. <i>--O, The Oprah Magazine A great novel about a ninety-nine-year-old woman...trying to understand the truth of her life...Along the way are some of the most beautifully formed prose passages I have ever read. --Thomas Cahill, author of <i>How the Irish Saved Civilization </i> Written in captivating, lyrical prose, Barry's novel is both a sparkling literary puzzle and a stark cautionary tale of corrupted power. --<i>Publishers Weekly</i> Part of Barry's artistry is the sheer poetry of his prose, now heart-stoppingly lyrical, now heart-poundingly thrilling. An unforgettable portrait of mid-twentieth-century Ireland. --<i>Booklist</i> It is a poignant story of the horrors and hypocrisies of rural Ireland, the cruelties of civil war, and the pernicious influence of the priesthood. Roseanne is a vivid and engaging protagonist, and Barry makes rich use of the circumlocutions of his native tongue. --<i>The Daily Mail</i> (London) Dark, awkward, and exceptionally finely written. --<i>The Telegraph</i> (London) In this book, the worlds each character builds are significantly, tantalizingly estranged from each other. The novel's delight lies in the way in which the two tales--and, eventually the two lives--begin to coalesce, to the utter surprise of both the characters and the reader. --<i>The Economist</i>

[Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night. <br> -Dinitia Smith, The New York Times <br><br> Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down. <br> -Margot Livesey, The Boston Globe <br><br> Luminous and lyrical. <br> - O, The Oprah Magazine

[Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night. Dinitia Smith, <i>The New York Times</i> Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down. Margot Livesey, <i>The Boston Globe</i> Luminous and lyrical. <i> O, The Oprah Magazine A great novel about a ninety-nine-year-old woman...trying to understand the truth of her life...Along the way are some of the most beautifully formed prose passages I have ever read. Thomas Cahill, author of <i>How the Irish Saved Civilization</i> Written in captivating, lyrical prose, Barry's novel is both a sparkling literary puzzle and a stark cautionary tale of corrupted power. <i>Publishers Weekly</i> Part of Barry's artistry is the sheer poetry of his prose, now heart-stoppingly lyrical, now heart-poundingly thrilling. An unforgettable portrait of mid-twentieth-century Ireland. <i>Booklist</i> It is a poignant story of the horrors and hypocrisies of rural Ireland, the cruelties of civil war, and the pernicious influence of the priesthood. Roseanne is a vivid and engaging protagonist, and Barry makes rich use of the circumlocutions of his native tongue. <i>The Daily Mail</i> (London) Dark, awkward, and exceptionally finely written. <i>The Telegraph</i> (London) In this book, the worlds each character builds are significantly, tantalizingly estranged from each other. The novel's delight lies in the way in which the two tales and, eventually the two lives begin to coalesce, to the utter surprise of both the characters and the reader. <i>The Economist</i>

[Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night. <br> -Dinitia Smith, The New York Times <br> Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down. <br> -Margot Livesey, The Boston Globe <br> Luminous and lyrical. <br> - O, The Oprah Magazine

[Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night. --Dinitia Smith, The New York Times Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down. --Margot Livesey, The Boston Globe Luminous and lyrical. --O, The Oprah Magazine A great novel about a ninety-nine-year-old woman...trying to understand the truth of her life...Along the way are some of the most beautifully formed prose passages I have ever read. --Thomas Cahill, author of How the Irish Saved Civilization Written in captivating, lyrical prose, Barry's novel is both a sparkling literary puzzle and a stark cautionary tale of corrupted power. --Publishers Weekly Part of Barry's artistry is the sheer poetry of his prose, now heart-stoppingly lyrical, now heart-poundingly thrilling. An unforgettable portrait of mid-twentieth-century Ireland. --Booklist It is a poignant story of the horrors and hypocrisies of rural Ireland, the cruelties of civil war, and the pernicious influence of the priesthood. Roseanne is a vivid and engaging protagonist, and Barry makes rich use of the circumlocutions of his native tongue. --The Daily Mail (London) Dark, awkward, and exceptionally finely written. --The Telegraph (London) In this book, the worlds each character builds are significantly, tantalizingly estranged from each other. The novel's delight lies in the way in which the two tales--and, eventually the two lives--begin to coalesce, to the utter surprise of both the characters and the reader. --The Economist [Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night. -Dinitia Smith, The New York Times Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down. -Margot Livesey, The Boston Globe Luminous and lyrical. - O, The Oprah Magazine a [Barry writes] in language of surpassing beauty. . . . It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night.a aDinitia Smith, The New York Times a Barry recounts all this in prose of often startling beauty. Just as he describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down.a aMargot Livesey, The Boston Globe aLuminous and lyrical.a a O, The Oprah Magazine aThese lives are reimagined in language of surpassing beauty. Above all it is the surpassing quality of Mr. Barryas language that gives it its power . . . Mr. Barry has said that his novels and plays often begin as poems (he is a published poet), but his language never clots the flow of his story; it never gives a whiff of labor and strain. It is like a song, with all the pulse of the Irish language, a song sung liltingly and plaintively from the top of Ben Bulben into the airy night.a aDinitia Smith, NY Times Daily Book Review aJust as he (Barry) describes people stopping in the street to look at Roseanne, so I often found myself stopping to look at the sentences he gave her, wanting to pause and copy them down . . . When I reached the last page, I did feel that I had shared a profound experience . . .a aMargot Livesey, The Boston Globe aLuminous and lyrical.a aPam Houston, O Magazine aIad nominate Sebastian Barry, the most exhilarating prose stylist in Irish fictionawhich just about makes him, by definition, the best prose writer in the English language . . . Barry has shown a dazzling facility with poetry, drama and fictionahis works form a mosaic-like whole, though each stands on its own. He never uses a fancy word when a simple one will do; his characters speak a plain vocabulary, but in cadences tempered and honed into poetry . . . Sebastian Barryas achievement is unlike that of any other modern Western writer, a tapestry of interrelated works in different mediums woven from strands of his past and that of his country. The Secret Scripture fits seamlessly into a vision that seeks to restore with language that which has been taken away byhistory.a aAllen Barra, Salon.com

Author Information

Sebastian Barry was born in Dublin in 1955. His plays include Boss Grady's Boys (1988), The Steward of Christendom (1995), Our Lady of Sligo (1998), The Pride of Parnell Street (2007), and Dallas Sweetman (2008). Among his novels are The Whereabouts of Eneas McNulty (1998), Annie Dunne (2002) and A Long Long Way (2005), the latter shortlisted for the Man Booker Prize. His poetry includes The Water-Colourist (1982), Fanny Hawke Goes to the Mainland Forever (1989) and The Pinkening Boy (2005). His awards include the Irish-America Fund Literary Award, The Christopher Ewart-Biggs Prize, the London Critics Circle Award, The Kerry Group Irish Fiction Prize, and Costa Awards for Best Novel and Book of the Year. He lives in Wicklow with his wife Ali, and three children, Merlin, Coral, and Tobias.

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