Overview

Is it possible to start afresh when you’re thoroughly weighted down? A “timeless and entirely of-the-moment” (Publishers Weekly) novel from the author of The Secret Language of Girls. Seventeen pounds. That’s the difference between Abigail Walker and Kristen Gorzca. Between chubby and slim, between teased and taunting. Abby is fine with her body and sick of seventeen pounds making her miserable, so she speaks out against Kristen and her groupies—and becomes officially unpopular. Embracing her new status, Abby heads to an abandoned lot across the street and crosses an unfamiliar stream that leads her to a boy who’s as different as they come. Anders is homeschooled, and while he’s worried that Abby’s former friends are out to get her, he’s even more worried about his dad, a war veteran home from Iraq who is dangerously disillusioned with life. But if his dad can finish his poem about the expedition of Lewis and Clark, if he can recapture the belief that there can be innocence in the world, maybe he will be okay. As Abby dives into the unexpected role as research assistant, she just as unexpectedly discovers that by helping someone else find hope in the world, there is plenty there for herself, as well.

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9781442405943

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Reviews

* Dowell masterfully handles the hot button topic of bullying and will have readers contemplating the pettiness and self-loathing that supports it. Beating at the triumphant heart of the book is Abigail's realization that life is fullest when experienced genuinely. This is a story of Abigail's crossings: crossing a computer lab to make a friend; crossing a street to find peaceful isolation; crossing a creek to escape a tormentor; and crossing all the lines drawn to prevent her from feeling alive inside. A timely and heartening book for today's middle schoolers. <p><p> -- Booklist , starred review

* When Abby s one-time friend whispers to her, You re dead, Abby knows it s true. Maybe not dead physically, but dying inside. Avoiding Georgia and Kristen, who make snarky remarks about her weight in the lunchroom, the sixth-grader makes new friends, including two Indian-American boys whose easy tolerance is refreshing. Fleeing a home visit by the two bullying girls, she meets 9-year-old Anders, whose father is also dying inside. The Iraq War veteran is frightened by much of the peaceful world of the family horse farm, where he waits for space in a VA hospital. For Tubby Abby, farm visits are both physically and emotionally helpful. As she did in The Secret Language of Girls (2004) and its sequel, The Kind of Friends We Used to Be (2009), Dowell weaves themes of friendship and personal growth into a rich and complex narrative. A third story strand follows the desert fox Abby meets in the overgrown lot across the street from her house, adding a fantasy element and further connections. Like the fox in the Wendell Barry epigraph, some of Abby s tracks are in the wrong direction. But her resurrection is satisfying. Middle school mean girls are not uncommon, in fiction or in life, but seldom has an author so successfully defeated them without leaving her protagonist or her reader feeling a little bit mean herself. --Kirkus Reviews, June 15, 2012 *STAR

The Second Life of Abigail Walker introduces Abby, a sixth grader, at the moment she decides she's through being pushed around by the mean girl, Kristen, who rules over their social circle with arbitrary cruelty. Abby is a natural target; she is not quite like the rest of the girls - they're medium smart, medium good at sports, their families had a medium amount of money. Most painfully, their bodies are medium-size, while Abby is noticeably heavier. One day Abby walks away from an insult at the lunch table, and from the hope of staying in the group. She will just have to start a second life. What's wonderful is how Dowell, the author of several beloved books for tweens and teenagers including the Edgar-winning Dovey Coe, gracefully draws the many concentric circles of Abby's life. Forced to escape the menacing Kristen and eager to avoid her own distracted parents, who concentrate on her mainly to deliver unsubtle messages that she needs to eat less, Abby ventures into a new part of her neighborhood. There, she meets a younger boy named Anders. He lives on his grandmother's horse farm with his father, who acts strangely -- something horrible happened to him while he fought in the Iraq war, and he believes he must finish the research for a long poem about animals or he cannot get well. While spending time at the farm and learning to ride a horse is liberating for Abby, it's even more empowering to mobilize a group of new, more intellectually oriented friends to help with the research project. All the while a proud fox, whom Abby crosses paths with at the beginning of the novel, roams near her house. She seems to have extraordinary -- perhaps even time-traveling -- abilities, and has been watching and guiding Abby. Is she somehow part of the Iraq story of Anders's dad, too? Dowell suggests as much with a poetic logic that forms a nice antidote to the novel's all-too-realistic mean girl plot. -- The New York Times Book Review pri

* When Abby s one-time friend whispers to her, You re dead, Abby knows it s true. Maybe not dead physically, but dying inside. Avoiding Georgia and Kristen, who make snarky remarks about her weight in the lunchroom, the sixth-grader makes new friends, including two Indian-American boys whose easy tolerance is refreshing. Fleeing a home visit by the two bullying girls, she meets 9-year-old Anders, whose father is also dying inside. The Iraq War veteran is frightened by much of the peaceful world of the family horse farm, where he waits for space in a VA hospital. For Tubby Abby, farm visits are both physically and emotionally helpful. As she did in <i>The Secret Language of Girls</i> (2004) and its sequel, <i>The Kind of Friends We Used to Be</i> (2009), Dowell weaves themes of friendship and personal growth into a rich and complex narrative. A third story strand follows the desert fox Abby meets in the overgrown lot across the street from her house, adding a fantasy element and further connections. Like the fox in the Wendell Barry epigraph, some of Abby s tracks are in the wrong direction. But her resurrection is satisfying. Middle school mean girls are not uncommon, in fiction or in life, but seldom has an author so successfully defeated them without leaving her protagonist or her reader feeling a little bit mean herself. <i>--Kirkus Reviews</i>, June 15, 2012 <b>*STAR</b>

Author Information

Frances O’Roark Dowell is the bestselling and critically acclaimed author of Dovey Coe, which won the Edgar Award and the William Allen White Award; Where I’d Like to Be; The Secret Language of Girls and its sequels The Kind of Friends We Used to Be and The Sound of Your Voice, Only Really Far Away; Chicken Boy; Shooting the Moon, which was awarded the Christopher Award; the Phineas L. MacGuire series; Falling In; The Second Life of Abigail Walker, which received three starred reviews; Anybody Shining; Ten Miles Past Normal; Trouble the Water; the Sam the Man series; The Class; How to Build a Story; and most recently, Hazard. She lives with her family in Durham, North Carolina. Connect with Frances online at FrancesDowell.com.

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