The Seagull

Author:   Michael Frayn ,  Anton Chekhov
Publisher:   Bloomsbury Publishing PLC
Edition:   New edition
ISBN:  

9780413771001


Pages:   192
Publication Date:   25 April 2002
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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The Seagull


Overview

A Methuen Student Edition of Chekhov's classic play in Michael Frayn's acclaimed translation 'The play has been flooded with light, like a room with the curtains drawn back' John Peter, Sunday Times 'The direct simplicity of this new translation ... uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny ...' Jack Tinker, Daily Mail When it opened in St Petersburg in 1896, The Seagull survived only five performances after a disastrous first night. Two years later it was revived by Nemirovich-Danchenko at the newly-founded Moscow Art Theatre with Stanslasky as Trigorin and was an immediate success. Checkhov's description of the play was characteristically self-mocking: ""A comedy - 3F, 6M, four acts, rural scenery (a view over a lake); much talk of literature, little action, five bushels of love"". Michael Frayn's translation was commissioned by the Oxford Playhouse Company.

Full Product Details

Author:   Michael Frayn ,  Anton Chekhov
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Edition:   New edition
Dimensions:   Width: 12.40cm , Height: 1.20cm , Length: 20.20cm
Weight:   0.228kg
ISBN:  

9780413771001


ISBN 10:   0413771008
Pages:   192
Publication Date:   25 April 2002
Audience:   College/higher education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Reviews

""The play has been flooded with light, like a room with the curtains drawn back."" --John Peter, Sunday Times ""The direct simplicity of this new translation ... uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny."" --Jack Tinker, Daily Mail


<p> The play has been flooded with light, like a room with the curtains drawn back. &#8212; John Peter, Sunday Times <p> The direct simplicity of this new translation &#8230; uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny. &#8212;Jack Tinker, Daily Mail


The play has been flooded with light, like a room with the curtains drawn back. --John Peter, Sunday Times The direct simplicity of this new translation ... uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny. --Jack Tinker, Daily Mail The play has been flooded with light, like a room with the curtains drawn back. John Peter, Sunday Times The direct simplicity of this new translation uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny. Jack Tinker, Daily Mail The play has been flooded with light, like a room with the curtains drawn back. John Peter, Sunday Times The direct simplicity of this new translation uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny. Jack Tinker, Daily Mail The play has been flooded with light, like a room with the curtains drawn back. -- John Peter, Sunday Times The direct simplicity of this new translation ... uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny. --Jack Tinker, Daily Mail


<p> The play has been flooded with light, like a room with the curtains drawn back. -- John Peter, Sunday Times <p> The direct simplicity of this new translation ... uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny. --Jack Tinker, Daily Mail


The play has been flooded with light, like a room with the curtains drawn back. John Peter, Sunday Times The direct simplicity of this new translation uncovers not only the nerve endings of Chekhov's restless malcontents but also their comic absurdities. It is, as he always intended, actually funny. Jack Tinker, Daily Mail


Author Information

Michael Frayn was born in London in 1933 and began his career as a journalist on the Guardian and the Observer. He has written seventeen plays, including Noises Off, Copenhagen, and Democracy, translated Chekhov’s last four plays, and adapted his first as Wild Honey. His screenplays include Clockwise, starring John Cleese, and among his eleven novels are The Tin Men, Towards the End of the Morning, Headlong, Spies, and Skios. Collections of articles include Collected Columns, Stage Directions, and Travels with a Typewriter. He has also published two philosophical works, Constructions and The Human Touch, and a memoir, My Father’s Fortune. His most recent publications are three collections of short entertainments, Matchbox Theatre, Pocket Playhouse, and Magic Mobile. He is married to the writer Claire Tomalin. Anton Chekhov (1860-1904), Russian physician, dramatist and author, is considered to be one of the greatest writers of short stories and modern drama. Born in Taganrog, a port town near the Black Sea, he attended medical school at Moscow University. He began writing to supplement his income, writing short humorous sketches of contemporary Russian life. A successful literary careered followed, before his premature death of TB at the age of 44. He is best-remembered for his four dramatic masterpieces: The Seagull (1896), Uncle Vanya (1899), Three Sisters (1901) and The Cherry Orchard (1904).

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