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9781843838937

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A useful volume for those researching . . . late eighteenth-century instrumental repertoires. MUSIC & LETTERS This book must be saluted as an achievement and the result of many years' work with primary sources. It is certainly useful for understanding how concertos were scored and performed in the period 1750-1780, and together with Maunder's previous work on the Baroque concerto constitutes a sound revision of this repertoire. BRIO With so much of the music unfamiliar and unavailable in modern editions, the reader is grateful for so many musical illustrations, used to illuminate specific points, but also copious enough to give a good idea of the music's style and qualities. . . . Maunder has certainly opened a door on an important area of performance practice. EARLY MUSIC

A useful volume for those researching . . . late eighteenth-century instrumental repertoires. MUSIC & LETTERS This book must be saluted as an achievement and the result of many years' work with primary sources. It is certainly useful for understanding how concertos were scored and performed in the period 1750-1780, and together with Maunder's previous work on the Baroque concerto constitutes a sound revision of this repertoire. BRIO With so much of the music unfamiliar and unavailable in modern editions, the reader is grateful for so many musical illustrations, used to illuminate specific points, but also copious enough to give a good idea of the music's style and qualities. . . . Maunder has certainly opened a door on an important area of performance practice. EARLY MUSIC

With so much of the music unfamiliar and unavailable in modern editions, the reader is grateful for so many musical illustrations, used to illuminate specific points, but also copious enough to give a good idea of the music's style and qualities ... Maunder has certainly opened a door on an important area of performance practice. EARLY MUSIC

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