|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Sam Kogan , Helen Kogan (The Academy of the Science of Acting and Directing, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 13.80cm , Height: 1.80cm , Length: 21.60cm Weight: 0.550kg ISBN: 9780415488129ISBN 10: 0415488125 Pages: 268 Publication Date: 24 August 2009 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsPreface. Introduction Part 1: Acting Technique 1. Purposes 2. Awareness 3. Events 4. Complexes 5. Actions 6. Attention 7. Imagination 8. Tempo-Rhythm 9. Free Body Part 2: The Consciousness & Its Role In The Life Of An Actor 10. Formation of the Consciousness & Its Qualities 11. Mindprint 12. Laws of Thinking 13. Unfinished Thinking & the Tools to Finish It OffReviews'In this fascinating actor's manual, edited by his daughter, the Russian demystifies how thoughts originate, develop and manifest themselves, working on the theory that if an actor thinks like a character, they will inevitably react, feel and behave like them' - WhatsOnStage.com 'An immensely detailed and illuminating take on the actor's craft and the knowledge which underpins it' - The Stage 'His clear style, using warmly candid personal experiences and humour, makes this an invaluable and compelling study' - WhatsOnStage.com 'Kogan presents readers with a groundbreaking understanding of the sub-conscious and how it can be applied to acting. His original perspective on Stanislavski's texhing gives readers a unique insight into thier characters' minds.' - The Drama Student Magazine. 'In this fascinating actor's manual, edited by his daughter, the Russian demystifies how thoughts originate, develop and manifest themselves, working on the theory that if an actor thinks like a character, they will inevitably react, feel and behave like them' - WhatsOnStage.com 'An immensely detailed and illuminating take on the actor's craft and the knowledge which underpins it' - The Stage 'His clear style, using warmly candid personal experiences and humour, makes this an invaluable and compelling study' - WhatsOnStage.com 'Kogan presents readers with a groundbreaking understanding of the sub-conscious and how it can be applied to acting. His original perspective on Stanislavski's texhing gives readers a unique insight into thier characters' minds.' - The Drama Student Magazine. Author InformationSam Kogan studied at the Moscow Institute of Theatre Arts (now the Russian Academy of Theatre Arts) under the tutelage of Professor Maria Knebel. He established The Science of Acting, a complete stand-alone technique. Helen Kogan is the chair and former principal of The Academy of Science of Acting and Directing, has helped to shape her father's words and work for the publication of this book. Tab Content 6Author Website:Countries AvailableAll regions |