Overview

On any Sunday afternoon a traveler through the Deep South might chance upon the rich, full sound of Sacred Harp singing. Aided with nothing but their own voices and the traditional shape-note songbook, Sacred Harp singers produce a sound that is unmistakable—clear and full-voiced. Passed down from early settlers in the backwoods of the Southern Uplands, this religious folk tradition hearkens back to a simpler age when Sundays were a time for the Lord and the “singings.” Illustrated with forty-one songs from the original songbook, The Sacred Harp is a comprehensive account of a unique form of folk music. Buell Cobb’s study encompasses the history of the songbook itself, an analysis of the music, and an intimate portrait of the singers who have kept alive a truly American tradition.

Full Product Details

9780820323718

Table of Contents

Reviews

Cobb's study aims at a comprehensive presentation of the contents, history, and use of The Sacred Harp. He slights no aspect of the book and in many areas makes contributions that are fresh and important. . . . One of the few authoritative studies of a southern vernacular institution.-- Journal of Southern History

Cobb's study aims at a comprehensive presentation of the contents, history, and use of The Sacred Harp. He slights no aspect of the book and in many areas makes contributions that are fresh and important. . . . One of the few authoritative studies of a southern vernacular institution. --Journal of Southern History [A] definitive history . . . Buell Cobb is an authority on Sacred Harp and an enthusiastic member of the singing community. --Southern Living To Buell Cobb and the University of Georgia Press goes the gratitude of fasola singers throughout the nation for their printing of this significant volume. --Southwestern Journal of Theology Cobb presents a thoroughly researched 'inside' view of the performance practice and cultural context of Sacred Harp folk. The media that severed Americans from oral tradition and developed a national culture at the expense of indigenous local practice has induced a rootless and nostalgia-seeking generation to return 'home' to warm themselves in the glow of traditional community singing. --American Music An 'inside' history of the movement . . . Cobb describes in detail the tradition as a whole, its music, its early history, the editions of The Sacred Harp, and the rise and decline of the big singing conventions. --American Historical Review Cobb's study deserves to be included on the growing bookshelf of American musical studies. We are, perhaps, past the time when we can give Sacred Harp singing the recognition it deserves. Cobb has adequately preserved much of the meaning of that music in the lives of those who sang it. --Ethnomusicology This volume studies a southern musical tradition less well known than jazz but equally important, and emphasizes that [Sacred Harp] represents a social experience as well as a musical one for its participants. --Alabama Review Never again should we allow to stand uncorrected the statement that jazz is the only truly indigenous American music. --Chattanooga Times

An 'inside' history of the movement . . . Cobb describes in detail the tradition as a whole, its music, its early history, the editions of The Sacred Harp , and the rise and decline of the big singing conventions. -- American Historical Review

Author Information

BUELL E. COBB is the author of Like Cords Around My Heart: A Sacred Harp Memoir and The Sacred Harp: A Tradition and Its Music. He taught English at West Georgia College (now the University of West Georgia) from 1969 to 1976. A longtime resident of Birmingham, he served as president of the Sacred Harp Publishing Company and, for fifteen years, as chair of the National Sacred Harp Singing Convention.

Tab Content 6

Countries Available