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""In 1916, when the first architectural drawings from the recent past were brought in to lie beside those of Palladio and Jones at the RIBA, Halsey Ricardo spoke of the 'pathetic eloquence' with which they pictured a society, culture, and patterns of thought of a time just past. It is vital, if such pictures are to be faithfully drawn, to explore the patterns of collection by which architectural drawings and models have been preserved; the differences between the archival discipline and the process of inquiry in examining them; and commonalities or divergences in characteristics of drawings that may derive from hundreds of thousands in a modern office, or the scarce fragments of a Renaissance studio or Enlightenment collector’s cabinet. Here is a scrupulously curated conversation that—perhaps for the first time—does just that."" Nicholas Olsberg, Former Director of the Canadian Centre for Architecture, Montreal ""From tools of making to the documentation of built projects, drawings and models have long played a central role in the conceptual development of architectural projects. This momentous collection of essays brilliantly shows the development of the discipline by taking a new look at the traces left by the process of form generation, and offers glimpses of the potential for action in the contemporary world. The scope of subjects and the breadth of erudition makes this thought-provoking collection a must-read for anyone interested in the significance of architecture."" Louise Pelletier, Director, Design Center, University of Quebec at Montreal (UQAM) ""The archive has been a potent metaphor for scholars in recent decades, but this cornucopia of first-hand accounts insists on the archives as a physical site, one often deeply engaged in the politics of architecture and of reputations. A combination of oral history from those who have been at the helm of key collections and reflective texts on the very nature of architectural documents provides invitations for future historical work both for students launching a career and the most seasoned scholar alike."" Barry Bergdoll, Meyer Schapiro Professor of Art History, Columbia University, New York (and former Chief Curator of Architecture and Design at the Museum of Modern Art, New York) ""By posing the question of the “afterlives” of architectural media and illuminating their breadth and significance, this collection makes an invaluable contribution to the perennial discourse on architectural representation, as well as to growing scholarship on the nature of architectural archives."" Dr. Paul Holmquist, Assistant professor of architecture, Louisiana State University. Journal of Architecture Education, Spring 2024.

Author Information

Federica Goffi, PhD, is Interim Director, Professor of Architecture, and Co-Chair of the PhD and MAS Program in Architecture at the Azrieli School of Architecture and Urbanism at Carleton University, Ottawa, Canada. Her book, Time Matter[s]: Invention and Re-imagination in Built Conservation: The Unfinished Drawing and Building of St. Peter’s in the Vatican, was published by Ashgate in 2013. Her recent edited volumes include Marco Frascari’s Dream House: A Theory of Imagination (Routledge 2017); InterVIEWS: Insights and Introspection in Doctoral Research in Architecture (Routledge 2019), and the coedited Ceilings and Dreams: The Architecture of Levity (Routledge 2019). She is the editor of And Yet It Moves: Ethics, Power, and Politics in the Stories of Collecting, Archiving and Displaying of Drawings and Models (Routledge 2021). She holds a PhD in Architecture and Design Research (Virginia Tech), a Dottore in Architettura (University of Genoa), and she is a licensed architect in her native country, Italy.

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