Overview

The Romantic Rhetoric of Accumulation provides an account of the long arc of dispossession from the British Romantic period to today. Lenora Hanson glimpses histories of subsistence (such as reproductive labor, vagrancy and criminality, and unwaged labor) as figural ways of living that are superfluous-simultaneously more than enough to live and less than what is necessary for capitalism. Hanson treats rhetorical language as an archive of capital's accumulation through dispossession, in works by S.T. Coleridge, Edmund Burke, Mary Robinson, William Wordsworth, Benjamin Moseley, Joseph Priestley, and Alexander von Humboldt, as well as in contemporary film and critical theory. Reading riots through apostrophe, enclosure through anachronism, superstition and witchcraft through tautology, and the paradoxical coincidence of subsistence living with industrialization, Hanson shows the figural to be a material record of the survival of non-capitalist forms of life within capitalism. But this survival is not always-already resistant to capitalism, nor are the origins of capital accumulation confined to the Romantic past. Hanson reveals rhetorical figure as entwined in deeply ambivalent ways with the circuitous, ongoing process of dispossession. Reading both historically and rhetorically, Hanson argues that rhetorical language records histories of dispossession and the racialized, gendered distribution of the labor of subsistence. Romanticism, they show, is more contemporary than ever.

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9781503633940

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Reviews

"""For Lenora Hanson, careful attunement to rhetorical and poetic figuration in the age of Romanticism must not only acknowledge its deployment in forms of dispossession enacted by and against capital; it must also chart the movement of the figure in the proliferation of subsistence in the war against subsistence, in the riot of differences in the accumulation of differences, and in the globality of Romanticism that survives the globalization of Romanticism. To understand these stringent requirements—and then to practice them, with such aplomb, brilliance, and dedication—is a stirring achievement. The Romantic Rhetoric of Accumulation is a work of massive and singular importance.""—Fred Moten, New York University ""This is a profound work that engages as deeply with Romantic poetry as it does with traditions of literary criticism, gender studies, and critical race studies. The seriousness and lyricism of its argumentation will make this an enduring contribution.""—Jordy Rosenberg, University of Massachusetts-Amherst ""This book establishes Hanson as a significant theorist of subsistence and will be a landmark of Romanticism. Original, learned, and always engaging.""—Rei Terada, University of California, Irvine"

A work of massive and singular importance, and a stirring achievement. -- Fred Moten * New York University * This is a profound work that engages as deeply with Romantic poetry as it does with traditions of literary criticism, gender studies, and critical race studies. The seriousness and lyricism of its argumentation will make this an enduring contribution. -- Jordy Rosenberg * University of Massachusetts-Amherst * This book establishes Hanson as a significant theorist of subsistence and will be a landmark of Romanticism. Original, learned, and always engaging. -- Rei Terada, University of California * Irvine *

For Lenora Hanson, careful attunement to rhetorical and poetic figuration in the age of Romanticism must not only acknowledge its deployment in forms of dispossession enacted by and against capital; it must also chart the movement of the figure in the proliferation of subsistence in the war against subsistence, in the riot of differences in the accumulation of differences, and in the globality of Romanticism that survives the globalization of Romanticism. To understand these stringent requirements-and then to practice them, with such aplomb, brilliance, and dedication-is a stirring achievement. The Romantic Rhetoric of Accumulation is a work of massive and singular importance. -Fred Moten, New York University This is a profound work that engages as deeply with Romantic poetry as it does with traditions of literary criticism, gender studies, and critical race studies. The seriousness and lyricism of its argumentation will make this an enduring contribution. -Jordy Rosenberg, University of Massachusetts-Amherst This book establishes Hanson as a significant theorist of subsistence and will be a landmark of Romanticism. Original, learned, and always engaging. -Rei Terada, University of California, Irvine

Author Information

Lenora Hanson is Assistant Professor of English at New York University.

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