Overview

Rhythm is everywhere. Its ability to focus and unify interdisciplinary conversation begs the questions: What is rhythm and can different disciplines agree on its definition? Rhythm studies have emerged as a key background form traversing cultural, natural, and social forms like cognition, communication, and even cosmology. An added boon: this background can seem unifying. Those who explore such entangled phenomena study the throbbing presence of rhythmic, oscillatory, and vibratory potentials: Neuroscientists turn to rhythm for novel explanations of why our cognitive capacities are so limited; physicists use it to cross time and space; scholars in various fields turn to it to rethink materialism and affect theory. This lively collection considers why rhythm currently functions as a form of mediation between disciplines, across widely different scales and dimensions. The Rise of Rhythm Studies tests what rhythm can do through theoretical examinations and in case studies ranging from European literature to topology and media studies to Chinese visual art. Established scholars, such as Nina Kraus, Anna Gibbs, and Caroline Levine, alongside rising scholars in the field, marshal transdisciplinary perspectives in order to understand rhythm as a boundary condition for living in and working through and with the world.

Full Product Details

Author:   Professor or Dr. Mark Lussier (Arizona State University, USA) ,  Dr. or Prof. Richard C. Sha (American University, Washington D.C., USA)
Publisher:   Bloomsbury Publishing Plc
Imprint:   Bloomsbury Academic
ISBN:  

9798765125281

Pages:   272
Publication Date:   08 January 2026
Audience:   Professional and scholarly ,  College/higher education ,  Professional & Vocational ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Forthcoming
Availability:   Manufactured on demand  

Table of Contents

Introduction: The Rise of Rhythm Mark Lussier, Arizona State University, USA, and Richard C. Sha, American University, USA Part I. Theoretical Foundations 1. Between Feltness and Knowing: The Epistemology of Rhythm Richard C. Sha, American University, USA 2. Rhythm in Sound and in the Brain Nina Kraus, Northwestern University, USA 3. Matter, Meter, Mind: Rhythmic Operations as Boundary Condition Mark Lussier, Arizona State University, USA 4. Textual Rhythm and Textual Subjectivity Sha Xin Wei, Arizona State University, USA Part II. Social Pulsations 5. Rhythm and Relation Anna Gibbs, Western Sydney University, Australia 6. Rhythm in and of Social Interaction Chiara Bassetti, University of Trento, Italy 7. Routines of Creativity Caroline Levine, Cornell University, USA Part III. Aesthetic Operations 8. The Measures of Fugitive Time Keith D. Leonard, American University, USA 9. Rhythm of the Brushstroke, Rhythm of the Body, and Cosmic Rhythm, through Chinese Calligraphy and Painting Yolaine Escande, Centre National de la Recherche Scientifique, France 10. Propagation Through a Medium: Contexual Rhythm and Jintian Magazine Nick Admussen, Cornell University, USA 11. Rhythms in Painting 1910-1930 Georges Roques, Centre National de la Recherche Scientifique, France Notes on Contributors Bibliography Index

Reviews

This highly interesting book promotes rhythm studies as a much-needed discipline of its own. It explains why rhythm is a main determinant in brain research as well as in Taoism, in aesthetic analyses and in the understanding of social phenomena. * Eva Lilja, Professor Emerita of Literature, University of Gothenburg, Sweden * Eventually, one way or another, rhythm gets to you (even if you feel that you don’t have a sense of rhythm). Rhythm insinuates. It aggregates and disaggregates – sometimes subtly, sometimes shatteringly. Moving across a range of disciplines, this collection operates similarly: at once subtle and shattering. * Gregory J. Seigworth, Professor of Digital Communication and Cultural Studies, Millersville University, USA *

Author Information

Mark Lussier is Professor of English and Sustainability and Emeritus College Dean at Arizona State University, USA. Richard C. Sha is Professor of Literature and Affiliate Professor of Philosophy at American University, USA.

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