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"Alessandro Moretti has arrived as a true breath of fresh air and a vital new voice in criminology. ‘The Rise and Rise…’ is quite simply a stunning book. Moretti takes the reader on an ethnographic journey into the secretive world of deviant ticket sellers, brilliantly capturing the nuances and complexities surrounding debates on touting, but also showing us so much more. Highlighting the spectrum of conflicting interests that characterise the phenomenon of selling tickets for profit and the responses to it, Moretti introduces a rich ensemble of characters and practices that rejuvenate criminology and the sociological study of enterprise and deviance. Reminiscent of the very best work of the likes of Dick Hobbs, Gary Armstrong and Patricia Adler, this is a book that anyone interested in criminology, sport, music or life in general ought to read. A sociological masterpiece that is no doubt destined to be regarded a classic. This book is so needed. Doing an ethnography well with something new is a rare thing, and it makes me green with envy. James Treadwell, Professor in Criminology at Staffordshire University, UK ""Moretti’s book is both an excellent criminological ethnography and a direct challenge to artists, politicians and associated stakeholders who for too long have publicly decried ticket touting while condoning these activities in private. This book should be essential reading for scholars interested in illicit enterprise and ethnography and, perhaps, for those in the live events industry who want to take meaningful action against touting. Do not hold your breath on the latter.""Xavier D. L’Hoiry, Senior Lecturer in Criminology and Social Policy, University of Sheffield, British Journal of Criminology"

Alessandro Moretti has arrived as a true breath of fresh air and a vital new voice in criminology. ‘The Rise and Rise…’ is quite simply a stunning book. Moretti takes the reader on an ethnographic journey into the secretive world of deviant ticket sellers, brilliantly capturing the nuances and complexities surrounding debates on touting, but also showing us so much more. Highlighting the spectrum of conflicting interests that characterise the phenomenon of selling tickets for profit and the responses to it, Moretti introduces a rich ensemble of characters and practices that rejuvenate criminology and the sociological study of enterprise and deviance. Reminiscent of the very best work of the likes of Dick Hobbs, Gary Armstrong and Patricia Adler, this is a book that anyone interested in criminology, sport, music or life in general ought to read. A sociological masterpiece that is no doubt destined to be regarded a classic. This book is so needed. Doing an ethnography well with something new is a rare thing, and it makes me green with envy. James Treadwell, Professor in Criminology at Staffordshire University, UK ""Moretti’s book is both an excellent criminological ethnography and a direct challenge to artists, politicians and associated stakeholders who for too long have publicly decried ticket touting while condoning these activities in private. This book should be essential reading for scholars interested in illicit enterprise and ethnography and, perhaps, for those in the live events industry who want to take meaningful action against touting. Do not hold your breath on the latter.""Xavier D. L’Hoiry, Senior Lecturer in Criminology and Social Policy, University of Sheffield, British Journal of Criminology

Author Information

Alessandro Moretti is a Postdoctoral Researcher at the Centre for Global Criminology, University of Copenhagen, Denmark.

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