The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting

Author:   Hanneke Grootenboer
Publisher:   The University of Chicago Press
Edition:   2nd ed.
ISBN:  

9780226309682


Pages:   246
Publication Date:   02 May 2005
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Rhetoric of Perspective: Realism and Illusionism in Seventeenth-Century Dutch Still-Life Painting


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Full Product Details

Author:   Hanneke Grootenboer
Publisher:   The University of Chicago Press
Imprint:   University of Chicago Press
Edition:   2nd ed.
Dimensions:   Width: 1.70cm , Height: 0.20cm , Length: 2.40cm
Weight:   0.539kg
ISBN:  

9780226309682


ISBN 10:   0226309681
Pages:   246
Publication Date:   02 May 2005
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Reviews

A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, The Rhetoric of Perspective represents a bold act of historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint-about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail. -- John Hagood Art Libraries Society of North America (06/01/2006)


A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, The Rhetoric of Perspective represents a bold act of 'historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint--about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail. --John Hagood, Art Libraries Society of North America --John Hagood Art Libraries Society of North America (06/01/2006)


A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, The Rhetoric of Perspective represents a bold act of 'historiographic experimentation'. . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint--about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail. --John Hagood Art Libraries Society of North America (06/01/2006)


A fresh turn with the thoughts and methods of Heidegger, Pascal, Barthes, Lacan, and Merleau-Ponty . . . . Tightly focused and yet broadly significant, The Rhetoric of Perspective represents a bold act of historiographic experimentation . . . . Admirably, the book enacts some of the very traits of its subject -- moderation, modesty, and restraint about specific images that in turn generate a persuasive clarity about greater ideas. Grootenboer advances, in a sterling exposition, the worthy project of understanding the genre of still life. . . . A book respectable in every detail. --John Hagood Art Libraries Society of North America (06/01/2006)


Author Information

Hanneke Grootenboer is lecturer in the Department of Art History and Archaeology at Columbia University.

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