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"""How well our barbarous and sex-crazed times relate to the horrors and refined cruelties of Thomas Middleton's extraordinary Jacobean masterpiece...A drama that makes grim, poetic fun of lust-filled aristocrats and lesser folk up to plenty of bad, some of them steaming hot for sex, adultery, murder and revenge."" * Nicholas de Jongh, Evening Standard, 05.06.08 * ""There's a sardonic and even sadistic glee in his poetry and...a lot of dark, dangerous laughter to be found in the play."" * Benedict Nightingale, The Times, 06.06.08 * ""Middleton certainly had a sardonic eye for twisted and compromised morals...His poetry is a vibrant mix of the ornate and the blunt. His so-called tragedy boldly veers into morbid farce, sparking explosive laughter."" * Kate Bassett, Independent on Sunday, 08.06.08 * ""The Elizabethan and Jacobean revenge tragedies had more nasty killings and a higher body count than almost anything written by today's young pretenders, as well as a similarly steamy interest in perverse sex, too."" * Charles Spencer, Daily Telegraph, 06.06.08 * ""[Middleton] is black-blooded, foul-mouthed, casual, uncaring - a pioneer of our common tongue, Ossuary English."" * Ian Shuttleworth, Financial Times, 10.06.08 *"

How well our barbarous and sex-crazed times relate to the horrors and refined cruelties of Thomas Middleton's extraordinary Jacobean masterpiece...A drama that makes grim, poetic fun of lust-filled aristocrats and lesser folk up to plenty of bad, some of them steaming hot for sex, adultery, murder and revenge. Nicholas de Jongh, Evening Standard, 05.06.08 There's a sardonic and even sadistic glee in his poetry and...a lot of dark, dangerous laughter to be found in the play. Benedict Nightingale, The Times, 06.06.08 Middleton certainly had a sardonic eye for twisted and compromised morals...His poetry is a vibrant mix of the ornate and the blunt. His so-called tragedy boldly veers into morbid farce, sparking explosive laughter. Kate Bassett, Independent on Sunday, 08.06.08 The Elizabethan and Jacobean revenge tragedies had more nasty killings and a higher body count than almost anything written by today's young pretenders, as well as a similarly steamy interest in perverse sex, too. Charles Spencer, Daily Telegraph, 06.06.08 [Middleton] is black-blooded, foul-mouthed, casual, uncaring - a pioneer of our common tongue, Ossuary English. Ian Shuttleworth, Financial Times, 10.06.08

How well our barbarous and sex-crazed times relate to the horrors and refined cruelties of Thomas Middleton's extraordinary Jacobean masterpiece...A drama that makes grim, poetic fun of lust-filled aristocrats and lesser folk up to plenty of bad, some of them steaming hot for sex, adultery, murder and revenge. * Nicholas de Jongh, Evening Standard, 05.06.08 * There's a sardonic and even sadistic glee in his poetry and...a lot of dark, dangerous laughter to be found in the play. * Benedict Nightingale, The Times, 06.06.08 * Middleton certainly had a sardonic eye for twisted and compromised morals...His poetry is a vibrant mix of the ornate and the blunt. His so-called tragedy boldly veers into morbid farce, sparking explosive laughter. * Kate Bassett, Independent on Sunday, 08.06.08 * The Elizabethan and Jacobean revenge tragedies had more nasty killings and a higher body count than almost anything written by today's young pretenders, as well as a similarly steamy interest in perverse sex, too. * Charles Spencer, Daily Telegraph, 06.06.08 * [Middleton] is black-blooded, foul-mouthed, casual, uncaring - a pioneer of our common tongue, Ossuary English. * Ian Shuttleworth, Financial Times, 10.06.08 *

Author Information

The Editor, Brian Gibbons has been a General Editor of The New Mermaids since 1974 and also a General Editor of The New Cambridge Shakespeare since its inception. He is the author of many articles about English Drama, of two books, Jacobean City Comedy and Shakespeare and Multiplicity, and editor of editions in The New Mermaids as well as The Arden Shakespeare and The New Cambridge Shakespeare.

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