The Rediscovery and Reception of Gandhāran Art: Proceedings of the Fourth International Workshop of the Gandhāra Connections Project, University of Oxford, 24th-26th March, 2021

Author:   Wannaporn Rienjang (Lecturer in Archaeology, Museum and Heritage Studies, Faculty of Sociology and Anthropology, Thammasat University) ,  Peter Stewart (Director / Professor of Ancient Art, Classical Art Research Centre / University of Oxford)
Publisher:   Archaeopress
ISBN:  

9781803272337


Pages:   230
Publication Date:   10 March 2022
Format:   Paperback
Availability:   In Print   Availability explained
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The Rediscovery and Reception of Gandhāran Art: Proceedings of the Fourth International Workshop of the Gandhāra Connections Project, University of Oxford, 24th-26th March, 2021


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Author:   Wannaporn Rienjang (Lecturer in Archaeology, Museum and Heritage Studies, Faculty of Sociology and Anthropology, Thammasat University) ,  Peter Stewart (Director / Professor of Ancient Art, Classical Art Research Centre / University of Oxford)
Publisher:   Archaeopress
Imprint:   Archaeopress Archaeology
Weight:   0.792kg
ISBN:  

9781803272337


ISBN 10:   1803272333
Pages:   230
Publication Date:   10 March 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Preface – Wannaporn Rienjang and Peter Stewart [DOI: 10.32028/9781803272337-1] ; Part 1 Archaeology and Collecting History ; Reconstructing Jamālgarhī and Appendix B: the archaeological record 1848-1923 – Elizabeth Errington [DOI: 10.32028/9781803272337-2] ; Gandhāran stucco sculptures from Sultan Khel (former Khyber Agency) in the collection of Peshawar Museum: a study in three parts – Zarawar Khan, Fawad Khan, and Ghayyur Shahab [DOI: 10.32028/9781803272337-3] ; A unique collection of confiscated material of Gandhāra (Pakistan) – Muhammad Ashraf Khan and Tahir Saeed [DOI: 10.32028/9781803272337-4] ; Part 2 Receptions ; Gandhāran imagery as remembered by Buddhist communities across Asia – Kurt A. Behrendt [DOI: 10.32028/9781803272337-5] ; Archaeology of Buddhism in post-partition Punjab: the disputed legacy of Gandhāra – Himanshu Prabha Ray [DOI: 10.32028/9781803272337-6] ; From colonial Greece to postcolonial Rome? Re-orienting ancient Pakistan in museum guides in the 1950s and 1960s – Andrew Amstutz [DOI: 10.32028/9781803272337-7] ; Stories of Gandhāra: antiquity, art and idol – Shaila Bhatti [DOI: 10.32028/9781803272337-8] ; The art of deception: perspectives on the problem of fakery in Gandhāran numismatics – Shailendra Bhandare [DOI: 10.32028/9781803272337-9] ; Gandhāra in the news: rediscovering Gandhāra in The Times and other media – Helen Wang [DOI: 10.32028/9781803272337-10]

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Author Information

Wannaporn Rienjang is Lecturer in Archaeology, Museum and Heritage Studies at the Faculty of Sociology and Anthropology, Thammasat University and a project consultant for the Gandhāra Connections project at the Classical Art Research Centre, Oxford. She completed her doctoral degree in Archaeology at the University of Cambridge in 2017, and has been involved in research projects focusing on the art and archaeology of Greater Gandhāra, Indian Ocean Trade and ancient working technologies of stone beads and vessels. ; Peter Stewart is Director of the Classical Art Research Centre and Professor of Ancient Art at the University of Oxford. He has worked widely in the fields of Graeco-Roman sculpture and ancient world art. His publications include Statues in Roman Society: Representation and Response (2003), The Social History of Roman Art (2008), and A Catalogue of the Sculpture Collection at Wilton House (2020).

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