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Author:   Christine Reeh-Peters ,  Stefan Schmidt ,  Peter Weibel
Publisher:   Brill
Imprint:   Brill
Volume:   367
Weight:   0.584kg
ISBN:  

9789004466296

ISBN 10:   9004466290
Pages:   260
Publication Date:   16 July 2021
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Acknowledgements List of Illustrations Notes on Contributors Introduction   Christine Reeh-Peters, Stefan W. Schmidt and Peter Weibel PART 1 The Rise of the Real 1 The Real in Film The Historical Real, the Optical Real, and the Material Real   Hyun Kang Kim 2 The Being of Film   Christine Reeh-Peters 3 What It Means to Imagine Imagination  The Derrida–Searle Debate and the Poetic Ontology of Film   Philip Freytag 4 Emerging Imaginations  The Relation of Film and Reality from a Literary Perspective   Karin Janker 5 Animated Visions of Reality  The Real as Experimental Aesthetic in Anca Damian’s Animated Documentaries   Zsolt Gyenge 6 Pasolini’s Pan-semiology or Reality as Code   Peter Weibel PART 2 Experiencing the Real 7 The Cinematographic Experience  Thinking Cinema through the Philosophy of E. Husserl   Hanna Trindade 8 Reality Narrated through time  Andrei Tarkovsky’s The Mirror   Stefan W. Schmidt 9 Time and Film   Maria-Teresa Teixeira 10 Mapping Film-World Relations to Reality  A New Conceptual Cartography   Atėnė Mendelytė 11 The Crisis of the Time-Image Montage in Postmodern Times   Martin Stefanov 12 Think Future Cinema—with Photofilm as Its Basis   Gusztáv Hámos PART 3 The Real Unsettling 13 The Bird’s Eye View—Ornithology and Ontology in Hitchcock’s The Birds   Markus Gabriel 14 A Rough Sketch on the Real of Terrorism—Thoughts on Christopher Nolan’s Dark Knight Trilogy   Ringo Rösener 15 Justifying a Philosophical Claim  The Act of Killing and the Banality of Evil   Thomas E. Wartenberg 16 Jauja and Meek’s Cutoff  The Parallel American Ways of Rethinking Gilbert Simondon’s Role of Aesthetics in the Configuration of Humanity   Román Domínguez Jiménez 17 Maya Deren’s Claim for the “Ritualistic” Film or Fusing the Sacred and the Profane for the Sake of the Real   Patricia Feise-Mahnkopp

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Author Information

Christine Reeh-Peters, Ph.D., University of Lisbon, is Junior-Professor at the Film University Babelsberg in Potsdam, a film director and philosopher. She has published several articles on film philosophy as well as the monograph Being and Film: a Fictive Ontology of Film in Tarkovsky’s Solaris (Cambridge Scholars Publishing, 2021). Peter Weibel, double Ph.D. h.c., University of Art and Design Helsinki, and University of Pécs, Hungary, is CEO of the ZKM | Centre for Art and Media Karlsruhe. He is an acclaimed media artist, curator and media theorist, as well as editor and author of several monographs and articles. Stefan W. Schmidt, Ph.D., University of Wuppertal, lecturer of Philosophy at the same University. He has published a monograph on Heidegger's concept of freedom (Springer, 2016) and several articles in phenomenology as well as philosophical aesthetics and philosophy of design. Contributors are: Atėnė Mendelytė, Maria-Teresa Teixeira, Thomas E. Wartenberg, Román Domínguez Jiménez, Ringo Rösener, Hanna Trindade, Karin Janker, Martin Stefanov, Zsolt Gyenge, Philip Freytag, Patricia Feise-Mahnkopf, Hyun Kang Kim, Markus Gabriel, Gusztáv Hámos, Christine Reeh-Peters, Stefan W. Schmidt, Peter Weibel.

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