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Reviews

“The Quiet Ear is expansive, generous, and massively tender—a beautiful exploration of an interior life grappling with several magnitudes of loss, and what can be found within them.”—Hanif Abdurraqib, author of There’s Always This Year “Beautifully complicates and expands our understanding of what deafness is. . . The Quiet Ear has given me new ways to think about the vibration of sound, the movement of language, and the complicated contours of shame. It is a book that changed how I will move through the world.”—Clint Smith, author of How the Word Is Passed “The Quiet Ear presents a complex portrait of deafness that goes beyond living without sound. Antrobus situates his own personal story of growing up not quite Black or deaf enough within larger contexts of D/deaf culture, race, masculinity, and colonialism. Lyrical, moving and powerful.”—Alice Wong, editor of Disability Intimacy and author of Year of the Tiger “In The Quiet Ear, Raymond Antrobus lifts up a defiant mirror to the mainstream world that has long ignored and shamed the d/Deaf communities and masterfully crafts a world we all deserve: one free of shame, one where deaf people are uplifted, empowered, no longer at the margins of society, but in the center, full of joy and thriving. The Quiet Ear is a must-read for all. Everyone needs this book.”—Javier Zamora, author of Solito “Raymond Antrobus is one of my favorite poets. The Quiet Ear is a marvel, a story of his life as a Deaf man in a society as unjust as ours, which he investigates with clarity, honesty, endless patience, and tenderness for what our world could be.”—Ilya Kaminsky, author of Deaf Republic “A powerful and important book . . . This expansive memoir chronicles Antrobus’s vexed journey across and between the multitudes he contains: his Jamaican heritage and his British one; his blackness and his whiteness; and, again and again, the fraught but ultimately joyful experience of living between hearing and deafness. His voice is at once blunt and lyrical, angry and curious.”—Andrew Leland, Pulitzer Prize finalist and author of The Country of the Blind “Raymond Antrobus’s The Quiet Ear is a masterclass in vulnerability, language, and the complexity of listening. With extraordinary sensitivity and precision, Antrobus invites us into the intimate terrain of deafness—not as a limitation but as a rich and nuanced way of experiencing the world. The Quiet Ear isn’t simply about hearing; it’s about perception, identity, and the politics of language. Antrobus doesn’t just open our ears—he opens our understanding.”—Dame Evelyn Glennie, Grammy Award–winning musician “Antrobus’s incredible capacity for documenting the interior is on full show here, traversing not just his griefs and losses but his hopes and joys, too. This book left me transformed.”—Caleb Azumah Nelson, author of Open Water “A journey through language, history and family, The Quiet Ear is a moving and expansive book about the long journey of finding a voice, and the joy and power of using it.”—Séan Hewitt, author of Open, Heaven

“The Quiet Ear is expansive, generous, and massively tender—a beautiful exploration of an interior life grappling with several magnitudes of loss, and what can be found within them.”—Hanif Abdurraqib, author of There’s Always This Year “Beautifully complicates and expands our understanding of what deafness is. . . The Quiet Ear has given me new ways to think about the vibration of sound, the movement of language, and the complicated contours of shame. It is a book that changed how I will move through the world.”—Clint Smith, author of How the Word Is Passed “The Quiet Ear presents a complex portrait of deafness that goes beyond living without sound. Antrobus situates his own personal story of growing up not quite Black or deaf enough within larger contexts of D/deaf culture, race, masculinity, and colonialism. Lyrical, moving and powerful.”—Alice Wong, editor of Disability Intimacy and author of Year of the Tiger “In The Quiet Ear, Raymond Antrobus lifts up a defiant mirror to the mainstream world that has long ignored and shamed the d/Deaf communities and masterfully crafts a world we all deserve: one free of shame, one where deaf people are uplifted, empowered, no longer at the margins of society, but in the center, full of joy and thriving. The Quiet Ear is a must-read for all. Everyone needs this book.”—Javier Zamora, author of Solito “A powerful and important book . . . This expansive memoir chronicles Antrobus’s vexed journey across and between the multitudes he contains: his Jamaican heritage and his British one; his blackness and his whiteness; and, again and again, the fraught but ultimately joyful experience of living between hearing and deafness. His voice is at once blunt and lyrical, angry and curious.”—Andrew Leland, Pulitzer Prize finalist and author of The Country of the Blind “Raymond Antrobus is one of my favorite poets. The Quiet Ear is a marvel, a story of his life as a Deaf man in a society as unjust as ours, which he investigates with clarity, honesty, endless patience, and tenderness for what our world could be. Antrobus is a terrific writer, yes, but what is more, he is an honest one. The Quiet Ear will fill your day with all kinds of music.”—Ilya Kaminsky, author of Deaf Republic “Raymond Antrobus is a brilliant and wise writer who makes the world seem more full of possibilities for connection and belonging. A journey through language, history, and family, The Quiet Ear is a moving and expansive book about the long journey of finding a voice, and the joy and power of using it.”—Séan Hewitt, author of Open, Heaven

Author Information

Raymond Antrobus is the author of three collections of poetry, most recently Signs/Music, of which the title poem was published in The New Yorker. His work has won numerous prizes in the UK, where his poems are frequently taught in schools. He is also the author of two children’s books, including Can Bears Ski?, which became the first story broadcast on the BBC entirely in British Sign Language. Antrobus was elected a Fellow of the Royal Society of Literature and appointed an MBE. He lives in London.

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