The Quattro Cento and Stones of Rimini: A Different Conception of the Italian Renaissance

Author:   Adrian Stokes
Publisher:   Taylor & Francis Ltd
ISBN:  

9781138727656


Pages:   668
Publication Date:   08 December 2017
Format:   Hardback
Availability:   In Print   Availability explained
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The Quattro Cento and Stones of Rimini: A Different Conception of the Italian Renaissance


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Full Product Details

Author:   Adrian Stokes
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   1.400kg
ISBN:  

9781138727656


ISBN 10:   1138727652
Pages:   668
Publication Date:   08 December 2017
Audience:   College/higher education ,  General/trade ,  Tertiary & Higher Education ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Contents: Foreword, Stephen Bann; Introduction to The Quattro Cento, David Carrier; The Quattro Cento: a different conception of the Italian Renaissance, Adrian Stokes; Part 1: The Italian Scene: Introductory notes to Florence and Verona; Part 2: Florence and Verona; Part 3: Outline of The Quattro Cento: An Appendix to Florence and Verona; General index; Index of architecture and sculpture described in the book as 'Quattro Cento'; Introduction to Stones of Rimini, Stephen Kite; Stones of Rimini, Adrian Stokes; Part 1: Stone and water; Part 2: Stone and clay; Part 3: Stone, water and stars; Index; Suggested further reading; Index.

Reviews

'This welcome reissue prints both texts and photographs in as generous a format as the originals, with illuminating introductory essays by Stephen Bann, David Carrier and Stephen Kite... This reprint offers a world of insight that most contemporary writing about art still keeps at a distance.' - Times Literary Supplement 'For Stokes, looking was all about human response- historically articulated to be sure, but passionate, partial, personal and not a little elitist. Standing in the tradition of Goethe, Stendhal, Ruskin and Pater, he is at heart a travel writer, a narrator of aesthetic voyages of discovery.' - Martin Kemp, The Royal Academy Magazine 'The foreword by Stephen Bann and the introduction essays by David Carrier and Stephen Kite are models of intelligent interpretation for anyone who cares to find out about one of the finest writers on art in the English language.' - Richard Humphreys, The Use of English '... the stimulating essays that introduce this volume... An added bonus of this new edition is that Stoke's connoisseurship in scores of Italian towns is illustrated by 'fresh impressions of the photographs used when the books were first published'.' - Richard Read, Modernism


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Adrian Stokes

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