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OverviewFull Product DetailsAuthor: Jolene Mairs Dyer , Conor McCafferty , Cahal McLaughlinPublisher: Vernon Press Imprint: Vernon Press Dimensions: Width: 15.20cm , Height: 1.50cm , Length: 22.90cm Weight: 0.376kg ISBN: 9781648895586ISBN 10: 1648895581 Pages: 278 Publication Date: 25 November 2022 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsReviews"""The Prisons Memory Archive: A Case Study in Filmed Memory of Conflict"" is a highly significant collection of writings that offer a model of participatory practice in filmmaking and history-making, oral history and storytelling, as well as the creation of archives. The juxtaposition of accounts from researchers, who established the Prisons Memory Archive with the reflections from participants, who told the histories and stories of imprisonment that form the Prison Memory Archive's content, represents the practice of co-authorship that has guided the Prisons Memory Archive project from the outset. The inclusive methodology of the collection is an extension of that of the Archive, and while both will, no doubt, inform the practice of remembering and documenting conflict in Ireland, the development of the Prison Memory Archive methodology and its critically reflective priorities is relevant to archival work and memory work more generally. Alongside the writings of Prison Memory Archive researchers and participants are a series of important essays that position their collaboration in a wider context of writing contested histories, seeking transformative justice, reading architecture and understanding the intersection of the digital and spatial in archival studies. Dr Louise Purbrick School of Humanities and Social Science University of Brighton" The Prisons Memory Archive: A Case Study in Filmed Memory of Conflict is a highly significant collection of writings that offer a model of participatory practice in filmmaking and history-making, oral history and storytelling, as well as the creation of archives. The juxtaposition of accounts from researchers, who established the Prisons Memory Archive with the reflections from participants, who told the histories and stories of imprisonment that form the Prison Memory Archive's content, represents the practice of co-authorship that has guided the Prisons Memory Archive project from the outset. The inclusive methodology of the collection is an extension of that of the Archive, and while both will, no doubt, inform the practice of remembering and documenting conflict in Ireland, the development of the Prison Memory Archive methodology and its critically reflective priorities is relevant to archival work and memory work more generally. Alongside the writings of Prison Memory Archive researchers and participants are a series of important essays that position their collaboration in a wider context of writing contested histories, seeking transformative justice, reading architecture and understanding the intersection of the digital and spatial in archival studies. Dr Louise Purbrick School of Humanities and Social Science University of Brighton Author InformationJolene Mairs Dyer PhD is a Lecturer in Media Production at Ulster University. She edited material from the PMA to create 'Unseen Women: Stories from Armagh Gaol', a 26-minute documentary and multi-screen gallery installation shown at Belfast Exposed in June 2011. Her most recent work, 'Women's Vision from Across the Barricades' (2015) and 'Women's Vision in Transition' (2020), used collaborative photography to explore socio-economic issues affecting women living in interface areas of north Belfast. She is the Director of Belfast Feminist Film School. Conor McCafferty has worked in research, management and creative roles in academia and arts and heritage organisations. He holds a PhD from Queen's University Belfast - his research and professional interests revolve around archival collections in the arts and architecture, and public engagement and outreach through digital media. Conor was Project Manager of the 'Visual Voices of the Prisons Memory Archive' project at Queen's University from 2019-21 and is now a member of the PMA Advisory Group. Cahal McLaughlin is the Chair of Film Studies at Queen's University Belfast and director of the Prisons Memory Archive. He has produced films from this archive and written about the PMA for 'Memory Studies' and 'Oral History Review'. His most recent film is 'Right Now I Want to Scream: Police and Army Killings in Rio - the Brazil Haiti Connection' (2020). Tab Content 6Author Website:Countries AvailableAll regions |