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OverviewMusic is possessed by all human cultures, and archaeological evidence for musical activities pre-dates even the earliest known cave art. Music has been the subject of keen investigation across a great diversity of fields, from neuroscience and psychology to ethnography, archaeology, and its own dedicated field, musicology. Despite the great contributions that these studies have made towards understanding musical behaviours, much remains mysterious about this ubiquitous human phenomenon--not least, its origins.In a ground-breaking study, this volume brings together evidence from these fields, and more, in investigating the evolutionary origins of our musical abilities, the nature of music, and the earliest archaeological evidence for musical activities amongst our ancestors. Seeking to understand the true relationship between our unique musical capabilities and the development of the remarkable social, emotional, and communicative abilities of our species, it will be essential reading for anyone interested in music and human physical and cultural evolution. Full Product DetailsAuthor: Iain Morley (Lecturer in Palaeoanthropology and Human Sciences, Oxford University, and Fellow of St. Hugh's College, Oxford)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 15.50cm , Height: 2.70cm , Length: 23.50cm Weight: 0.690kg ISBN: 9780198827269ISBN 10: 0198827261 Pages: 464 Publication Date: 07 June 2018 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsPreface Listof Illustrations 1: Conceiving Music in Prehistory 2: Implications of Music in Hunter-Gatherer Societies 3: Palaeolithic Music Archaeology 1: Pipes 4: Palaeolithic Music Archaeology 2: Other Sound Producers 5: The Palaeoanthropology of Vocalisation 1: Vocal Anatomy 6: The Palaeoanthropology of Vocalisation 2: The Brain and Hearing 7: Neurological Relationships Between Music and Speech 8: Vocal Versatility and Complexity in an Evolutionary Context 9: Vocal Control and Corporeal Control - Vocalisation, Gesture, Rhythm, Movement and Emotion 10: Emotion and Communication in Music 11: Rationales for Music in Evolution 12: Conclusions Appendix Bibliography IndexReviewsAn up-to-date and authoritative overview of recent research on evolution and cognition of musicality . . . a comprehensive and sophisticated outline of the present state of play by a leading authority . . . The text is geared seamlessly to academics, students, and general readership; its accessible style and keen exposition will no doubt garner enthusiasm for the project. * Dr Anton Killin, Biology & Philosophy * [A] superb book . . . very clear and easy to follow and understand. * Sean Gurd, The Classical Journal * Author InformationDr Iain Morley is Lecturer in Palaeoanthropology and Human Sciences at the University of Oxford, and a Fellow of St Hugh's College. He teaches human evolution and the evolution of human cognition. Particular areas of interest include the emergence of ritual and religion, Palaeolithic imagery, and the evolutionary origins and archaeology of music. Tab Content 6Author Website:Countries AvailableAll regions |