Overview

The Pre-Raphaelites and Orientalism' redefines the task of interpreting the East in the late nineteenth century. It takes as a starting point Edward Said's 'Orientalism' (1978) in order to investigate the latent and manifest traces of the East in Pre-Raphaelite literature and culture. As Eleonora Sasso demonstrates, the Pre-Raphaelites and their associates appeared to be the most eligible representatives of a profoundly conservative manifestation of the Orient, of its mystic aura, criminal underworld, and feminine sensuality, or to put it into Arabic terms, of its aja'ib (marvels), mutalibun (treasure-hunters) and hur al-ayn (femmes fatales). By combining together Western and Oriental modes of art, this study fills a gap in Pre-Raphaelite and Oriental studies.

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9781474407168

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"In her theoretically alert and aesthetically responsive study, Eleonora Sasso writes compellingly about the Pre-Raphaelites' use of Orientalism. Strikingly independent in its insights, the book suggests how important Eastern culture was for the Pre-Raphaelites. New perceptions abound on every stylishly written page of this fine book.-- ""Michael O'Neill, Durham University"""

Author Information

"Eleonora Sasso is a Lecturer in English with the University ""G. d'Annunzio"" of Chieti-Pescara. She is the author of Victorian Dominatrices: Women of Arcane Power in Nineteenth-Century Fiction (Arachne Publishing, 2012), How the Writings of William Morris Shaped the Literary Style of Tennyson, Swinburne, Gissing, and Yeats (The Edwin Mellen Press, 2011) and William Morris Between Utopia and Medievalism (Arachne, 2007)."

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