Postmodern Beowulf: A Critical Casebook

Author:   Eileen A. Joy ,  Mark K. Ramsey ,  Bruce Gilchrist
Publisher:   West Virginia University Press
ISBN:  

9781933202082


Pages:   772
Publication Date:   30 September 2006
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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Postmodern Beowulf: A Critical Casebook


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Overview

This work includes twenty-four essays including a preface, introduction, afterword, and sections containing seminal methodological pieces by such giants as Edward Said and Michel Foucault, as well as contemporary applications to Beowulf and other Old English and Germanic texts focusing on historicism, psychoanalysis, gender, textuality, and post-colonialism.

Full Product Details

Author:   Eileen A. Joy ,  Mark K. Ramsey ,  Bruce Gilchrist
Publisher:   West Virginia University Press
Imprint:   West Virginia University Press
Dimensions:   Width: 16.40cm , Height: 3.90cm , Length: 23.00cm
Weight:   1.348kg
ISBN:  

9781933202082


ISBN 10:   1933202084
Pages:   772
Publication Date:   30 September 2006
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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Most of us are not looking to find adventure in Beowulf, much less the meaning of life. What we are looking for at this moment is the sort of knowledge that might proceed from a radical defamiliarization of this far-too-familiar text, setting it free from centuries of encrusted ideologies. In the case of Beowulf, I think, such a radical defamiliarization will reveal a radical strangeness in the poem. Freed from its roles in all our grand narratives, Beowulf stands apart, an unexpected singularity. It is, not to put too fine a point on it, weird. James W. Earl, Associate Professor of English at the University of Oregon Most of us are not looking to find adventure in Beowulf, much less the meaning of life. What we are looking for at this moment is the sort of knowledge that might proceed from a radical defamiliarization of this far-too-familiar text, setting it free from centuries of encrusted ideologies. In the case of Beowulf, I think, such a radical defamiliarization will reveal a radical strangeness in the poem. Freed from its roles in all our grand narratives, Beowulf stands apart, an unexpected singularity. It is, not to put too fine a point on it, weird. James W. Earl, Associate Professor of English at the University of Oregon


""Most of us are not looking to find adventure in Beowulf, much less the meaning of life. What we are looking for at this moment is the sort of knowledge that might proceed from a radical defamiliarization of this far-too-familiar text, setting it free from centuries of encrusted ideologies. In the case of Beowulf, I think, such a radical defamiliarization will reveal a radical strangeness in the poem. Freed from its roles in all our grand narratives, Beowulf stands apart, an unexpected singularity. It is, not to put too fine a point on it, weird."" James W. Earl, Associate Professor of English at the University of Oregon


Most of us are not looking to find adventure in Beowulf, much less the meaning of life. What we are looking for at this moment is the sort of knowledge that might proceed from a radical defamiliarization of this far-too-familiar text, setting it free from centuries of encrusted ideologies. In the case of Beowulf, I think, such a radical defamiliarization will reveal a radical strangeness in the poem. Freed from its roles in all our grand narratives, Beowulf stands apart, an unexpected singularity. It is, not to put too fine a point on it, weird. James W. Earl, Associate Professor of English at the University of Oregon Most of us are not looking to find adventure in Beowulf, much less the meaning of life. What we are looking for at this moment is the sort of knowledge that might proceed from a radical defamiliarization of this far-too-familiar text, setting it free from centuries of encrusted ideologies. In the case of Beowulf, I think, such a radical defamiliarization will reveal a radical strangeness in the poem. Freed from its roles in all our grand narratives, Beowulf stands apart, an unexpected singularity. It is, not to put too fine a point on it, weird. James W. Earl, Associate Professor of English at the University of Oregon Most of us are not looking to find adventure in Beowulf, much less the meaning of life. What we are looking for at this moment is the sort of knowledge that might proceed from a radical defamiliarization of this far-too-familiar text, setting it free from centuries of encrusted ideologies. In the case of Beowulf, I think, such a radical defamiliarization will reveal a radical strangeness in the poem. Freed from its roles in all our grand narratives, Beowulf stands apart, an unexpected singularity. It is, not to put too fine a point on it, weird. James W. Earl, Associate Professor of English at the University of Oregon


<p> Most of us are not looking to find adventure in Beowulf , much less the meaning of life. What we are looking for at this moment is the sort of knowledge that might proceed from a radical defamiliarization of this far-too-familiar text, setting it free from centuries of encrusted ideologies. In the case of Beowulf , I think, such a radical defamiliarization will reveal a radical strangeness in the poem. Freed from its roles in all our grand narratives, Beowulf stands apart, an unexpected singularity. It is, not to put too fine a point on it, weird. James W. Earl, Associate Professor of English at the University of Oregon


Author Information

Eileen Joy is a professor in the Department of English and Literature at Southern Illinois University Edwardsville, USA. Joy has a PhD in English from the University of Tennessee-Knoxville and an MFA and BA in creative writing and English from Virginia Commonwealth University. Mary K. Ramsey is Assistant Professor of English at Southeastern Louisiana University, USA.

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