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Full Product Details

Author:   Birgit Beumers (University of Bristol, UK) ,  Stephen Hutchings (University of Manchester, UK) ,  Natalia Rulyova (University of Birmingham, UK)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Dimensions:   Width: 15.60cm , Height: 1.40cm , Length: 23.40cm
Weight:   0.490kg
ISBN:  

9780415674874

ISBN 10:   0415674875
Pages:   264
Publication Date:   12 May 2011
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Introduction Birgit Beumers, Stephen Hutchings and Natalia Rulyova Part One: Media, Politics and State 1. Free to get rich and fool around Ivan Zassoursky 2. Where did it all go wrong? Russian television in the Putin era John A. Dunn 3. Shifting media and the failure of political communication in Russia Samuel A. Greene 4. The end of independent television? Elite conflict and the reconstructing the Russian television landscape Tina Burrett Part 2: The Language of the Media 5. Putin and the tradition of the interview in Russian discourse Anna Maslennikova 6. What’s in a foreign word: Negotiating linguistic culture on Russian radio programmes about language Lara Ryazanova-Clarke Part 3: The Media and Memory 7. The conundrum of memory: Young people and their recollections of Soviet television Ellen Mickiewicz 8. Commemorating the past/performing the present: Television coverage of WWII victory celebrations and the (de)construction of Russian nationhood Stephen Hutchings and Natalia Rulyova Part 4: Culture, State and Empire in Television Serials 9. The culture of serialization, or the serialization of culture Birgit Beumers 10. The State Face: The empire’s televisual imagination Nancy Condee Part 5: New Media, Censorship and Identity 11. New media, new Russians, new abroad: Towards a non-nationalist paradigm Robert Saunders 12. Russia’s internet media policies: Open space and ideological closure Vlad Strukov

Reviews

It is our occasional incapability to speak of a clean shift in praxis between [Putin and Medvedev] that makes the work of Hutchings and Rulyova enduringly, if not increasingly, relevant... The consequence and application of Hutchings and Rulyova's most perceptive study are assured for quite some time. - David MacFadyen, University of California, Los Angeleles; Studies in Russian and Soviet Cinema, issue 4.3

"""It is our occasional incapability to speak of a clean shift in praxis between [Putin and Medvedev] that makes the work of Hutchings and Rulyova enduringly, if not increasingly, relevant... The consequence and application of Hutchings and Rulyova's most perceptive study are assured for quite some time."" - David MacFadyen, University of California, Los Angeleles; Studies in Russian and Soviet Cinema, issue 4.3"

Author Information

Birgit Beumers is Reader in Russian at the University of Bristol. She completed her D.Phil at St Antony's College, Oxford and specialises on contemporary Russian culture, especially cinema and theatre. Her publications include Burnt by the Sun (2000), Nikita Mikhalkov (2005), PopCulture: Russia! (2005) and, as editor, Russia on Reels: The Russian Idea in Post-Soviet Cinema (1999) and 24 Frames: Russia and the Soviet Union (2007). She is editor of the online journal KinoKultura and of the journal Studies in Russian and Soviet Cinema. Stephen Hutchings has a Chair in Russian Studies at the University of Manchester, having previously been Professor of Cultural Studies at the University of Surrey, and Associate Professor of Russian at the University of Rochester, New York. He has published three monographs, two edited volumes, and numerous articles on aspects of Russian literature, film and media. Natalia Rulyova is a Lecturer in Russian at the Centre for Russian and East European Studies, University of Birmingham since 2006. She completed her PhD on Joseph Brodsky at the University of Cambridge. Subsequently, she was a lecturer and research fellow at the University of Surrey, where she worked on the project 'Post-Soviet Television Culture' headed by Stephen Hutchings. She has authored and edited a number of articles on Russian poetry in translation, film and media, and is currently co-writing a monograph on post-Soviet television culture.

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