The "Post–Crash Decade of American Cinema – Wall Street, the ""Mancession"", and the Political Construction of Crisis"

Author:   Ewa Kowal
Publisher:   Uniwersytet Jagiellonski, Wydawnictwo
ISBN:  

9788323347729


Pages:   254
Publication Date:   01 March 2022
Format:   Paperback
Availability:   In Print   Availability explained
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The "Post–Crash Decade of American Cinema – Wall Street, the ""Mancession"", and the Political Construction of Crisis"


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Overview

"Crisis defines the present cultural moment. From the environment, through migration, to democracy, a continuous state of emergency engulfs us – so much so that crisis appears to be one of the few things not in crisis. The Post-Crash Decade of American Cinema: Wall Street, the ""Mancession"" and the Political Construction of Crisis focuses on two instances of this overwhelming trend: the latest masculinity crisis and what helped trigger it – the 2008 global financial crash. Looking at selected American cinematic texts of culture from the subsequent ten years, depicting both the causes of the crash and its victims, the volume offers answers to the questions: how has (popular) culture, in particular literature and film, responded to the greatest economic upheaval since the Great Depression, and what conclusions can be drawn from this response? Timely, interdisciplinary and in-depth, this analysis combines literary and cultural studies, as well as feminist criticism, gender studies and masculinities studies with research on the latest history of political economy to interrelate such diverse phenomena as capitalism, ""Wall Street culture"", the ""Mancession"" myth, Donald Trump, pornography, patriarchy, neoliberalism, precarity, postfeminism, the fourth wave of feminism, the #MeToo movement, 9/11, home, housing studies, positive psychology, and happiness studies. Ultimately, the book problematises the very concept of ""crisis"", elucidating it as a powerful political construct. Topographies of (Post)Modernity: Studies in 20th and 21st Century Literature in English is a bilingual, English-Polish book series dedicated to publishing original research on 20th and 21st century literature in English. Monographs and collective volumes in the series address, but are not restricted to, the following research areas: literary genre studies, comparative literature, cultural poetics and transversality of ideas, as well as transnationalism of literature in English."

Full Product Details

Author:   Ewa Kowal
Publisher:   Uniwersytet Jagiellonski, Wydawnictwo
Imprint:   Uniwersytet Jagiellonski, Wydawnictwo
Dimensions:   Width: 15.50cm , Height: 1.80cm , Length: 25.30cm
Weight:   0.420kg
ISBN:  

9788323347729


ISBN 10:   8323347727
Pages:   254
Publication Date:   01 March 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Acknowledgements Introduction PART ONE: Wall Street CHAPTER ONE The Super-CEO, the Financial Crash in Hollywood Cinema and the Preservation of Patriarchal Power in Oliver Stone’s Wall Street and Wall Street: Money Never Sleeps CHAPTER TWO The Pornography of Corporate Capitalism: The Wolf of Wall Street CHAPTER THREE A Funeral, Fun and Games, and the First Gun in Margin Call, The Big Short and Money Monster PART TWO: The “Mancession” CHAPTER FOUR The ""Mancession"" and Nostalgia for When ""Men Knew Who They Were"": Power Tools, More Guns and Moral Comfort in The Company Men and Hell or High Water CHAPTER FIVE Home in 99 Homes and The Florida Project: Women and Children Last Conclusion Filmography Bibliography Name Index Subject Index"

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Author Information

"Ewa Kowal is an Assistant Professor in the Department of Comparative Studies in Literature and Culture in the Institute of English Studies at the Jagiellonian University in Kraków, Poland. She is the author of The ""Image-Event"" in the Early Post-9/11 Novel: Literary Representations of Terror after September 11, 2001 (Jagiellonian University Press, 2012) and a series of articles devoted to post-9/11 literature and film. Her current project concerns cinematic, televisual and novelistic depictions of the 2007/8 global financial crisis and its aftermath. She is interested in feminist theory and criticism, gender studies, masculinities studies, happiness studies, housing studies, film and the visual arts."

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