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OverviewHonorable Mention - American Association for Ukrainian Studies (AAUS) 2018-2019 Book Prize Having exploded on the margins of Europe, Chornobyl marked the end of the Soviet Union and tied the era of postmodernism in Western Europe with nuclear consciousness. The Post-Chornobyl Library in Tamara Hundorova's book becomes a metaphor of a new Ukrainian literature of the 1990s, which emerges out of the Chornobyl nuclear trauma of the 26th of April, 1986. Ukrainian postmodernism turns into a writing of trauma and reflects the collisions of the post-Soviet time as well as the processes of decolonization of the national culture. A carnivalization of the apocalypse is the main paradigm of the post-Chornobyl text, which appeals to ""homelessness"" and the repetition of ""the end of histories."" Ironic language game, polymorphism of characters, taboo breaking, and filling in the gaps of national culture testify to the fact that the Ukrainians were liberating themselves from the totalitarian past and entering the society of the spectacle. Along this way, the post-Chornobyl character turns into an ironist, meets with the Other, experiences a split of his or her self, and witnesses a shift of geo-cultural landscapes. Full Product DetailsAuthor: Tamara Hundorova , Sergiy YakovenkoPublisher: Academic Studies Press Imprint: Academic Studies Press Weight: 0.520kg ISBN: 9781644692387ISBN 10: 1644692384 Pages: 338 Publication Date: 12 December 2019 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of Contents"Preface 1. Nuclear Discourse, or Literature after Chornobyl 2. Nuclear Apocalypse and Postmodernism 3. The Socialist Realist Chornobyl Discourse 4. Nuclear (Non)-Representation 5. Chornobyl and Virtuality 6. Chornobyl and the Cultural Archive 7. Chornobyl Postmodern Topography 8. Chornobyl and the Crisis of Language 9. Postmodernism: The Synchronization of History 10. Ukrainian Postmodernism: The Historical Framework 11. A Farewell to the Classic 12. The ""Ex-Centricity"" of the Great Character 13. Postmodernism and the ""Cultural Organic"" 14. Postmodernism as Ironic Behavior 15. Bu-Ba-Bu: A New Literary Formation 16. The Carnivalesque Postmodern 17. Yuri Andrukhovych's Carnival: A History of Self-Destruction 18. After the Carnival: Bu-Ba-Bu Postmortem 19. Narrative Apocalypse: Taras Prokhasko's Topographic Writing 20. The Virtual Apocalypse: The Post-Verbal Writing of Yurko Izdryk 21. The Grotesques of the Kyiv Underground: Dibrova—Zholdak—Poderviansky 22. Feminist Postmodernism: Oksana Zabuzhko 23. Postmodern Europe: Revision, Nostalgia, and Revenge 24. The Chornobyl Apocalypse of Yevhen Pashkovsky 25. The Postmodern Homelessness of Serhiy Zhadan 26. Volodymyr Tsybulko's Pop-Postmodernism 27. The (De)KONstructed Postmodernism of Yuriy Tarnawsky 28. PS. A Comment from the ""End of Postmodernism"" 29. Types of Postmodernism"ReviewsIts depth of analysis and breadth of engagement with theorists and practitioners of postmodernism worldwide make this book essential reading for anyone studying the tectonic literary and cultural shifts that took place in Eastern Europe with the collapse of the Soviet state. ... Always insightful and often provocative, the essays of The Post-Chornobyl Library represent, in this reviewer's estimation, literary and cultural criticism at its best. Now available to the Anglophone audiences in a highly readable translation by Sergiy Yakovenko, they will be of great value to students and scholars of Ukrainian literature and culture, of postmodernism, and of Eastern Europe as a region. --Oleksandra Wallo, University of Kansas, Russian Review [A]n exciting addition to the growing field of anglophone studies of Ukrainian literature. Hundorova masterfully traces the etiologies and manifestations of postmodern literary and cultural structures in Ukraine, placing the explosion of the Chornobyl nuclear power plant as the genesis of the postmodern cultural and literary movement in Ukraine. ... Ultimately, Hundorova's The Post-Chornobyl Library is an important contribution not only to the field of Ukrainian literary criticism but also to the expansive library of studies of postmodernism. This work will certainly prove useful to people in either field of study, and its new translation into English allows anglophone critics access to Hundorova's comprehensive, insightful, and theoretically sophisticated arguments on Ukrainian literature, postmodernism, and their interaction. --Brett Donohoe, Harvard University, H-Ukraine [A]n exciting addition to the growing field of anglophone studies of Ukrainian literature. Hundorova masterfully traces the etiologies and manifestations of postmodern literary and cultural structures in Ukraine, placing the explosion of the Chornobyl nuclear power plant as the genesis of the postmodern cultural and literary movement in Ukraine. ... Ultimately, Hundorova's The Post-Chornobyl Library is an important contribution not only to the field of Ukrainian literary criticism but also to the expansive library of studies of postmodernism. This work will certainly prove useful to people in either field of study, and its new translation into English allows anglophone critics access to Hundorova's comprehensive, insightful, and theoretically sophisticated arguments on Ukrainian literature, postmodernism, and their interaction. --Brett Donohoe, Harvard University, H-Ukraine Author InformationTamara Hundorova is Chair of the Department of Literary Theory and Comparative Literature at the Institute of Literature, National Academy of Sciences of Ukraine and Associate of Harvard Ukrainian Research Institute. She is the author of Transit Culture: Symptoms of Postcolonial Trauma(2013), Kitsch and Literature: Travesties(2008), The Emerging Word: The Discourse of Early Ukrainian Modernism(1997, 2013), Femina melancholica: Sex and Culture in the Gender Utopia of Olha Kobylianska(2002). She taught at Toronto University, Harvard Summer School, Greifswald Ukrainicum, Ukrainian Free University. She was awarded a Fulbright Fellowship, a Petro Jacyk Distinguished Fellowship (Harvard University), a visiting professorship at the SURC (Hokkaido University) and a fellowship at Monash University (Australia). Dr. Sergiy Yakovenko teaches in the Department of English at MacEwan University. He is the author of Romantics, Aesthetes, Nietzscheans: Ukrainian and Polish Literary Criticism of the Early Modernist Period (2006) and Poetics and Anthropology: Essays on Ukrainian and Polish Prose on the 20th Century (2007), both books in Ukrainian. Tab Content 6Author Website:Countries AvailableAll regions |