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... un livre très fouillé du professeur Simon Dell sur cinq séries de portraits photographiques entre France et Afrique (principalement le Cameroun) entre 1900 et 1939 [...] Pour chaque série, l'auteur fait une analyse argumentée, très détaillée, quasi « entomologique », des écrits et des images, naviguant entre théorie de philosophie politique et analyse iconographique détaillée. Marc Lenot, 31 Août 2020, Lunettes Rouges Jeder, der sich für die Kulturgeschichte der europäischen Kolonisation interessiert, wird dieses Buch mit Gewinn lesen.Matthias Waechter, Historische Zeitschrift, 2021, Volume 312 Issue 1, DOI: https: //doi.org/10.1515/hzhz-2021-1063 Situating his study within the move to take art history beyond Eurocentrism and into the field of world art studies, Simon Dell works persuasively across historiography, literary criticism, and, centrally, visual analysis. Drawing inspiration from Levinas's reflection on the ethics of encounter, he foregrounds the place of the photographic medium, both in the construction of the colonial narrative and as appropriated or resisted by African leaders contending with imperial hegemony. Dell explains how its European provenance meant that the photographic portrait was never a neutral medium in the colonial context. [...] Throughout this important book, Dell's deft, studied sequencing of visual material provides illuminating points of access to a wider historical narrative.Edward J Hughes, French Studies, December 2020, https: //doi.org/10.1093/fs/knaa243

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Simon Dell teaches in the Department of Art History and World Art Studies at the University of East Anglia.

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