The Pop Music Idol and the Spirit of Charisma: Reality Television Talent Shows in the Digital Economy of Hope
Author:   T. Cvetkovski
Publisher:   Palgrave Macmillan
ISBN:  

9781137494450


Pages:   225
Publication Date:   15 September 2015
Format:   Hardback
Availability:   In Print   Availability explained
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The Pop Music Idol and the Spirit of Charisma: Reality Television Talent Shows in the Digital Economy of Hope


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Author:   T. Cvetkovski
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 1.40cm , Length: 21.60cm
Weight:   4.041kg
ISBN:  

9781137494450


ISBN 10:   113749445
Pages:   225
Publication Date:   15 September 2015
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

PART I: ORGANISATIONAL CHANGE: CORPORATIST RELATIONS BETWEEN THE MUSIC INDUSTRY AND REALITY TV 1. The Sociology of Reality TV, the Political Economy of the Music Industry and Convergence of the Twain 2. The Primary Corporatist Relationship in Music Reality TV: The Contestant, the Judge, and the Rule of Music Industry Authority 3. Maintaining an Homogenous Product Oligopoly: Idol, Voice and X Factor PART II: DECENTRALISATION AND THE RISE OF A NEW ORGANISATIONAL ORDER 4. Vertical and Horizontal Organisational Developments: Majors responding to External Pressures 5. Streaming for Success: Social Media, the Voting Audience and the Rise of the Click, Hit and Run Consumer 6. Conclusion: Did Reality kill the Radio Star?

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Author Information

Trajce Cvetkovski holds a PhD (Political Science) degree from the University of Queensland and teaches law and governance at the School of Political Science and International Studies. He also practises as a lawyer. His research interests include the political economy of popular culture and corporate media citizenship and regulation. He is currently interested in technological change and the future of popular music. His most recent book is Copyright and Popular Media: Liberal Villains and Technological Change (2013).

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