The Pop Music Idol and the Spirit of Charisma: Reality Television Talent Shows in the Digital Economy of Hope
Author:   T. Cvetkovski ,  T Cvetkovski
Publisher:   Palgrave Macmillan
Edition:   1st ed. 2015
ISBN:  

9781349697335


Pages:   225
Publication Date:   05 December 2017
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Pop Music Idol and the Spirit of Charisma: Reality Television Talent Shows in the Digital Economy of Hope


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Author:   T. Cvetkovski ,  T Cvetkovski
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   1st ed. 2015
Weight:   3.067kg
ISBN:  

9781349697335


ISBN 10:   1349697338
Pages:   225
Publication Date:   05 December 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

PART I: ORGANISATIONAL CHANGE: CORPORATIST RELATIONS BETWEEN THE MUSIC INDUSTRY AND REALITY TV 1. The Sociology of Reality TV, the Political Economy of the Music Industry and Convergence of the Twain 2. The Primary Corporatist Relationship in Music Reality TV: The Contestant, the Judge, and the Rule of Music Industry Authority 3. Maintaining an Homogenous Product Oligopoly: Idol, Voice and X Factor PART II: DECENTRALISATION AND THE RISE OF A NEW ORGANISATIONAL ORDER 4. Vertical and Horizontal Organisational Developments: Majors responding to External Pressures 5. Streaming for Success: Social Media, the Voting Audience and the Rise of the Click, Hit and Run Consumer 6. Conclusion: Did Reality kill the Radio Star?

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Trajce Cvetkovski holds a PhD (Political Science) degree from the University of Queensland and teaches law and governance at the School of Political Science and International Studies. He also practises as a lawyer. His research interests include the political economy of popular culture and corporate media citizenship and regulation. He is currently interested in technological change and the future of popular music. His most recent book is Copyright and Popular Media: Liberal Villains and Technological Change (2013).

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