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Reviews

'Fauset is to be congratulated for bringing this self-effacing writer to wider public attention - at last fulfilling Bronte 's wish that Kavanagh should 'struggle ere long into the sunshine'. Rather than being relegated to the ranks of 'silly women novelists', Kavanagh clearly deserves scholarly attention for her contribution to literary history, and Fauset's book is a significant step on the road to recognition.' Caroline Palmer, Ashmolean Museum, Oxford, UK, Gender & History, Vol. 22, No. 1, April 2010 'Kavanagh's emphasis on historical romance (a genre the utopian-authoring Sharp might have frowned upon) is given strong and convincing support by analysis of the cultural, social, economic and gendered factors involved in its authorship. There is, in fact, something of the romance of the archives about Fauset's study. Fauset is appropriate in her praise and evident appreciation of Kavanagh's work and the potential for ideas to be read within it. But it usually remains on the right side of critical encounter. In this sense, it is the combination and complementarity of the words 'politics' and 'writing' in Fauset's subtitle that provide the hub of her reading. Fauset has done a service here in bringing forward sustained comment on Julia Kavanagh's works in this way, and as the number of facsimile productions of Kavanagh's works increases there will be a number of researchers who will benefit from leads they can follow from this text.' Mark Llewellyn, University of Strathclyde, Women's History Review 'Fauset's monograph makes a persuasive case for taking a serious look at Julia Kavanagh as a writer, and not just reviewer of other, more significant writers, and its argument is particularly admirable because it covers so much unfamiliar ground in such an accessible way. In addition to providing a brilliantly recuperative narrative that infuses Kavanagh's texts with biographical richness, this book also contributes to the field of nineteenth-century studies through its comprehensive bibliography of Kavanagh's publications. The occasional survey feel of the book seems right for Fauset's overarching project, however, for it opens the door to further study of a neglected writer whose wide and varied oeuvre contains subtle and nuanced feminist subtexts that can add to our understanding of nineteenth-century gender discourses.' Julia McCord Chavez, Saint Martin's University, Nineteenth-Century Prose 'It is Fauset's meshing of critical approaches with social history and a detailed biographical account, which makes this tome an interesting addition to many fields including Irish, Victorian, and women's studies.' Irish University Review: A Journal of Irish Studies -- .

"‘Fauset is to be congratulated for bringing this self-effacing writer to wider public attention – at last fulfilling Bronte ¨’s wish that Kavanagh should ‘struggle ere long into the sunshine’. Rather than being relegated to the ranks of ‘silly women novelists’, Kavanagh clearly deserves scholarly attention for her contribution to literary history, and Fauset’s book is a significant step on the road to recognition.’ Caroline Palmer, Ashmolean Museum, Oxford, UK, Gender & History, Vol. 22, No. 1, April 2010 ‘Kavanagh’s emphasis on historical romance (a genre the utopian-authoring Sharp might have frowned upon) is given strong and convincing support by analysis of the cultural, social, economic and gendered factors involved in its authorship. There is, in fact, something of the romance of the archives about Fauset’s study… Fauset is appropriate in her praise and evident appreciation of Kavanagh’s work and the potential for ideas to be read within it. But it usually remains on the right side of critical encounter. In this sense, it is the combination and complementarity of the words ‘politics’ and ‘writing’ in Fauset’s subtitle that provide the hub of her reading… Fauset has done a service here in bringing forward sustained comment on Julia Kavanagh’s works in this way, and as the number of facsimile productions of Kavanagh’s works increases there will be a number of researchers who will benefit from leads they can follow from this text.’ Mark Llewellyn, University of Strathclyde, Women’s History Review ‘Fauset's monograph makes a persuasive case for taking a serious look at Julia Kavanagh as a writer, and not just reviewer of other, more significant writers, and its argument is particularly admirable because it covers so much unfamiliar ground in such an accessible way… In addition to providing a brilliantly recuperative narrative that infuses Kavanagh's texts with biographical richness, this book also contributes to the field of nineteenth-century studies through its comprehensive bibliography of Kavanagh's publications… The occasional survey feel of the book seems ""right"" for Fauset's overarching project, however, for it opens the door to further study of a neglected writer whose wide and varied oeuvre contains subtle and nuanced feminist subtexts that can add to our understanding of nineteenth-century gender discourses.’ Julia McCord Chavez, Saint Martin’s University, Nineteenth-Century Prose ‘It is Fauset’s meshing of critical approaches with social history and a detailed biographical account, which makes this tome an interesting addition to many fields including Irish, Victorian, and women’s studies.’ Irish University Review: A Journal of Irish Studies -- ."

'Fauset is to be congratulated for bringing this self-effacing writer to wider public attention - at last fulfilling Bronte 's wish that Kavanagh should 'struggle ere long into the sunshine'. Rather than being relegated to the ranks of 'silly women novelists', Kavanagh clearly deserves scholarly attention for her contribution to literary history, and Fauset's book is a significant step on the road to recognition.' Caroline Palmer, Ashmolean Museum, Oxford, UK, Gender & History, Vol. 22, No. 1, April 2010 'Kavanagh's emphasis on historical romance (a genre the utopian-authoring Sharp might have frowned upon) is given strong and convincing support by analysis of the cultural, social, economic and gendered factors involved in its authorship. There is, in fact, something of the romance of the archives about Fauset's study... Fauset is appropriate in her praise and evident appreciation of Kavanagh's work and the potential for ideas to be read within it. But it usually remains on the right side of critical encounter. In this sense, it is the combination and complementarity of the words 'politics' and 'writing' in Fauset's subtitle that provide the hub of her reading... Fauset has done a service here in bringing forward sustained comment on Julia Kavanagh's works in this way, and as the number of facsimile productions of Kavanagh's works increases there will be a number of researchers who will benefit from leads they can follow from this text.' Mark Llewellyn, University of Strathclyde, Women's History Review 'Fauset's monograph makes a persuasive case for taking a serious look at Julia Kavanagh as a writer, and not just reviewer of other, more significant writers, and its argument is particularly admirable because it covers so much unfamiliar ground in such an accessible way... In addition to providing a brilliantly recuperative narrative that infuses Kavanagh's texts with biographical richness, this book also contributes to the field of nineteenth-century studies through its comprehensive bibliography of Kavanagh's publications... The occasional survey feel of the book seems right for Fauset's overarching project, however, for it opens the door to further study of a neglected writer whose wide and varied oeuvre contains subtle and nuanced feminist subtexts that can add to our understanding of nineteenth-century gender discourses.' Julia McCord Chavez, Saint Martin's University, Nineteenth-Century Prose 'It is Fauset's meshing of critical approaches with social history and a detailed biographical account, which makes this tome an interesting addition to many fields including Irish, Victorian, and women's studies.' Irish University Review: A Journal of Irish Studies -- .

Author Information

Eileen Fauset was formerly a Lecturer in English at the University of Leeds, Bretton Hall Campus and has published extensively on Irish and British women's writing

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