Overview

Showing the political importance of play in postwar French literature In postwar France, authors approached writing ludically, placing rules and conditions on language and on the context of composition itself. They eliminated “e’s” and feminized texts; they traveled according to strict rules and invented outright silly public personas. The Politics of Play: Oulipo and the Legacy of French Literary Ludics is a comprehensive examination of how and why French authors turned to these ludic methods to grapple with their political moment. These writers were responding to a range of historical upheavals, from the rise and fall of French feminist and Third-Worldist groups to the aftermath of international socialism both at home, in the former Parisian Belt and in France more broadly, and abroad, in post-Yugoslavia Balkan states and elsewhere. Juxtaposing an array of case studies and drawing on cross-disciplinary methodologies, Aubrey Gabel reads three generations of the formalist literary group Oulipo, including Raymond Queneau, Georges Perec, and Jacques Jouet, alongside writers not traditionally deemed ludic—or sometimes not even conventionally known as novelists—such as the lesbian activist-writer Monique Wittig and the editor FranÇois Maspero. Gabel argues that literary ludics serve as both an authorial strategy and a political form: playful methods allow writers not only to represent history in code but also to intervene creatively—as political actors—in the fraught social fields of postwar France.

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9780810149274

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Reviews

“Written in an engaging and readable style, The Politics of Play is thoughtful, well informed, and a vital contribution to twentieth-century French studies.” —Alison James, University of Chicago “Aubrey Gabel's wide-ranging and erudite book shows the many ways in which writers in the Oulipo used lexical games, humorous constraints, and linguistic acrobatics as playful veils for their subtle politics. The Politics of Play offers important historical contextualization for a literary collective not usually associated with political fervor, giving readers a more complex sense of the group’s self-understanding and self-fashioning.” —Christy Wampole, Princeton University

""Written in an engaging and readable style, The Politics of Play is thoughtful, well informed, and a vital contribution to twentieth-century French studies."" --Alison James, University of Chicago ""Aubrey Gabel's wide-ranging and erudite book shows the many ways in which writers in the Oulipo used lexical games, humorous constraints, and linguistic acrobatics as playful veils for their subtle politics. The Politics of Play offers important historical contextualization for a literary collective not usually associated with political fervor, giving readers a more complex sense of the group's self-understanding and self-fashioning."" --Christy Wampole, Princeton University

Author Information

Aubrey Gabel is an assistant professor in the Department of French at Columbia University.

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