The Polish Theatre of the Holocaust

Author:   Grzegorz Niziolek (Jagiellonian University, Poland) ,  Ursula Phillips (University College London, UK) ,  Bruce McConachie (Professor, University of Pittsburgh, USA) ,  Claire Cochrane (University of Worcester, UK)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350039742


Pages:   320
Publication Date:   24 December 2020
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
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The Polish Theatre of the Holocaust


Overview

Grzegorz Niziolek’s The Polish Theatre of the Holocaust is a pioneering analysis of the impact and legacy of the Holocaust on Polish theatre and society from 1945 to the present. It reveals the role of theatre as a crucial medium of collective memory – and collective forgetting – of the trauma of the Holocaust carried out by the Nazis on Polish soil. The period gave rise to two of the most radical and influential theatrical ideas during work on productions that addressed the subject of the Holocaust, Grotowski’s Poor Theatre and Kantor’s Theatre of Death, but the author examines a deeper impact in the role that theatre played in the processes of collective disavowal to being a witness to others’ suffering. In the first part, the author examines six decades of Polish theatre shaped by the perspective of the Holocaust in which its presence is variously visible or displaced. Particular attention is paid to the various types of distortion and the effect of ‘wrong seeing’ enacted in the theatre, as well as the traces of affective reception: shock, heightened empathy, indifference. In part two, Niziolek examines a range of theatrical events, including productions by Leon Schiller, Jerzy Grotowski, Tadeusz Kantor, Andrzej Wajda, Krzysztof Warlikowski and Ondrej Spišák. He considers how these productions confronted the experience of bearing witness and were profoundly shaped by the legacy of the Holocaust. The Polish Theatre of the Holocaust reveals how – by testifying about society’s experience of the Holocaust – theatre has been the setting for fundamental processes taking place within Polish culture as it confronts suppressed traumatic wartime experiences and a collective identity shaped by the past.

Full Product Details

Author:   Grzegorz Niziolek (Jagiellonian University, Poland) ,  Ursula Phillips (University College London, UK) ,  Bruce McConachie (Professor, University of Pittsburgh, USA) ,  Claire Cochrane (University of Worcester, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 15.60cm , Height: 1.80cm , Length: 23.40cm
Weight:   0.500kg
ISBN:  

9781350039742


ISBN 10:   1350039748
Pages:   320
Publication Date:   24 December 2020
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

List of Illustrations Acknowledgements Introduction Part I The Holocaust and the Theatre 1. A Theatre of Gapers 2. Who was not in Auschwitz? 3. Playing the Jew 4. Wrongly Seen 5. Without Mourning Part II The Theatre and the Holocaust 6. This Shameful Jewish War 7. What is Unthinkable in Poland 8. A Crushed Audience 9. Archive of the Missing Image 10. Duplicitous Spectator, Helpless Spectator Notes Bibliography

Reviews

Niziolek's book prompts its readers to profoundly question and engage with the issue of agency, from an ethical as well as a theatrical standpoint ... This book provides a rich and highly thought-provoking reading experience. * Pamietnik Teatralny *


Niziolek’s book prompts its readers to profoundly question and engage with the issue of agency, from an ethical as well as a theatrical standpoint ... This book provides a rich and highly thought-provoking reading experience. * Pamietnik Teatralny *


Author Information

Grzegorz Niziolek is professor in the Department of Drama and Theatre at the Jagiellonian University and the Ludwik Solski Upper State Theatrical School in Krakow, Poland. He is Editor-in-chief of the magazine Didaskalia. His publications include Sobowtór i Utopia. Teatr Krystiana Lupy (Doppelgänger and Utopia. The Theatre of Krystian Lupa, 1997), Cialo i slowo. Szkice o teatrze Tadeusza Rózewicza (The Body and the Word. Notes on the theatre of Tadeusz Rózewicz, 2001), and Warlikowski. Extra ecclesiam (2008, published in English in 2015). Ursula Phillips is a translator of Polish literary and academic works and Honorary Research Associate of the University College London School of Slavonic and East European Studies, UK.

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