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Awards
OverviewFull Product DetailsAuthor: Paul StephensPublisher: University of Minnesota Press Imprint: University of Minnesota Press Dimensions: Width: 14.00cm , Height: 2.50cm , Length: 21.60cm Weight: 0.318kg ISBN: 9780816694419ISBN 10: 0816694419 Pages: 240 Publication Date: 30 July 2015 Audience: College/higher education , Professional and scholarly , General/trade , Postgraduate, Research & Scholarly , Undergraduate Format: Paperback Publisher's Status: Active Availability: Temporarily unavailable ![]() The supplier advises that this item is temporarily unavailable. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out to you. Table of Contents"Contents Preface: Stars in My Pocket Like Bits of Data Introduction 1. ""Reading At It"": Gertrude Stein, Information Overload, and the Makings of Americanitis 2. Bob Brown, ""Inforg"": The ""Readies"" at the Limits of Modernist Cosmopolitanism 3. Human University: Charles Olson and the Embodiment of Information 4. ""When Information Rubs/Against Information"": Poetry and Informatics in the Expanded Field in the 1960s 5. Paradise and Informatics: Lyn Hejinian, Bruce Andrews, and the Posthuman Adamic 6. Vanguard Total Index: Conceptual Writing, Information Asymmetry, and the Data Glut Afterword. ""Proliferating Raw Data"": Robert Grenier in the Expanded Field of New Media Poetics Acknowledgments Notes Index"ReviewsWell-documented and elegantly written, Stephens's book demonstrates the vitality of literary and poetic studies in the age of big data criticism. -Leonardo Reviews Enthralling and rigorous. -Neural The Poetics of Information Overload offers rewarding insights into these processes and establishes a compelling new perspective on the development of American poetry. -Amerikastudien/American Studies `Isn't the avant-garde always technological?' asks Paul Stephens in this exciting book, which poses key questions and ventures revealing answers at every turn. He offers one of the freshest and smartest perspectives on the past century's avant-garde, as well as an exceptionally clear view of the most exigent poetry from our contemporary moment. -Craig Dworkin, University of Utah and author of No Medium Well-documented and elegantly written, Stephens's book demonstrates the vitality of literary and poetic studies in the age of big data criticism. <i>Leonardo Reviews</i></p> Enthralling and rigorous. <i>Neural</i></p> Author InformationPaul Stephens has taught at Bard, Emory, and Columbia. He edits the journal Convolution and lives in New York City. Tab Content 6Author Website:Countries AvailableAll regions |