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OverviewSince the sixteenth century, Western literature has produced picaresque novels penned by authors across Europe, from Alemán, Cervantes, Lesage and Defoe to Cela and Mann. Contemporary authors of neopicaresque are renewing this traditional form to express twenty-first-century concerns. Notwithstanding its major contribution to literary history, as one of the founding forms of the modern novel, the picaresque remains a controversial literary category, and its definition is still much contested. The Picaresque Novel in Western Literature examines the development of the picaresque, chronologically and geographically, from its origins in sixteenth-century Spain to the neopicaresque in Europe and the United States. Full Product DetailsAuthor: J. A. Garrido Ardila (University of Edinburgh)Publisher: Cambridge University Press Imprint: Cambridge University Press Dimensions: Width: 15.30cm , Height: 1.50cm , Length: 23.00cm Weight: 0.420kg ISBN: 9781108431873ISBN 10: 1108431879 Pages: 287 Publication Date: 28 September 2017 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of Contents1. Origins and definition of the picaresque genre J. A. Garrido Ardila; 2. Lazarillo de Tormes and the dream of a world without poverty Alexander Samson; 3. Guzmán de Alfarache and after: the Spanish picaresque novel in the seventeenth century Howard Mancing; 4. The Spanish female picaresque Enrique García Santo-Tomás; 5. The Baroque picaro: Francisco de Quevedo's Buscón Edward H. Friedman; 6. Cervantes and the picaresque: a question of compatibility Chad M. Gasta; 7. The picaresque novel and the rise of the English novel: from Baldwin and Delony to Defoe and Smollett J. A. Garrido Ardila; 8. Defoe and the picaresque Brean Hammond; 9. Picaresque itineraries in the eighteenth-century French novel Jenny Mander; 10. The picaro as narrator, writer and reader: the novels of Hans Jakob von Grimmelshausen Helen Watanabe-O'Kelly; 11. Russia: the picaresque repackaged Marcia A. Morris; 12. Riches to rags: from epic to picaresque at the colonial origins of the Latin American novel Erik Camayd-Freixas; 13. The neopicaresque. The picaresque myth in the twentieth-century novel Shelley Godsland.Reviews'A stellar cast of senior scholars takes on what must surely be one of the most controversial terms in literary criticism. Ardila's concise essay on the origins of the picaresque novel provides the necessary backdrop for the other essays ... Each essay is an excellent read, and the whole is a marvel of intelligent inquiry that will surely prompt more comparative interest. A must read for scholars of Hispanic and European literature, this is also a real contribution to the history of the novel in Western literature and deserves wide dissemination among the intellectually curious. Summing Up: Highly recommended.' K. M. Sibbald, Choice '... [it] is a lucid, wide-ranging guide to a field that has provoked more than its share of controversy, confusion and misattribution ... While Garrido Ardila accepts Guillen's distinction between myth and genre, he also helpfully isolates three core ingredients for an inclusive, yet coherent, definition of the picaresque ...' Muireann Maguire, Journal of European Studies 'This book is an excellent addition to the numerous subgenres contributing to the emergence of the novel. Its authors delve into a wealth of works from manifold cultural and linguistic contexts, decentring any one literary location or language, which will be welcomed by scholars working on the development of prose from a range of modern languages.' Forum for Modern Language Studies 'The extent to which Enlightenment novelists recognized and drew upon these [picaresque] formal innovations remains to be explored, and this stimulating collection should help point the way forward.' Richard Squibbs, Studies in the Novel 'A stellar cast of senior scholars takes on what must surely be one of the most controversial terms in literary criticism. Ardila's concise essay on the origins of the picaresque novel provides the necessary backdrop for the other essays ... Each essay is an excellent read, and the whole is a marvel of intelligent inquiry that will surely prompt more comparative interest. A must read for scholars of Hispanic and European literature, this is also a real contribution to the history of the novel in Western literature and deserves wide dissemination among the intellectually curious. Summing Up: Highly recommended.' K. M. Sibbald, Choice '... [it] is a lucid, wide-ranging guide to a field that has provoked more than its share of controversy, confusion and misattribution ... While Garrido Ardila accepts Guillen's distinction between myth and genre, he also helpfully isolates three core ingredients for an inclusive, yet coherent, definition of the picaresque ...' Muireann Maguire, Journal of European Studies 'This book is an excellent addition to the numerous subgenres contributing to the emergence of the novel. Its authors delve into a wealth of works from manifold cultural and linguistic contexts, decentring any one literary location or language, which will be welcomed by scholars working on the development of prose from a range of modern languages.' Forum for Modern Language Studies 'The extent to which Enlightenment novelists recognized and drew upon these [picaresque] formal innovations remains to be explored, and this stimulating collection should help point the way forward.' Richard Squibbs, Studies in the Novel Author InformationJ. A. Garrido Ardila is Professor of Modern Spanish and Comparative Literature at the University of Edinburgh. He is author of El género picaresco en la crítica literaria (2008), Novela picaresca en Europa, 1554–1753 (2009), and, most recently, author of Cervantes en Inglaterra, 2nd edition (2013) and editor of Textos del desastre: la última gran crisis (1898) (2013). Tab Content 6Author Website:Countries AvailableAll regions |