Overview

For a creative individual, there are different states of musical creation in which sound development presents different perceptual facets. These facets can be related to different factors, from loud noises, image associations, to old memories latent in individuals that apparently have nothing to do with the reality of the musical phenomenon and their musical creative experience. However, these introspections could potentiate various processes or tools that are related to compositional creation and that are interdependent on the subject's mental states. This is how this book aims to expose the compositional process of a piano piece, whose unconventional procedures range from simple sonorities to complex structures that fulfil the composer's creative needs.

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