The Persistence of Voice: Instrumental Music and Romantic Orality

Author:   John Neubauer
Publisher:   Brill
Volume:   14
ISBN:  

9789004343351


Pages:   290
Publication Date:   20 July 2017
Format:   Hardback
Availability:   Available To Order   Availability explained
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The Persistence of Voice: Instrumental Music and Romantic Orality


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Author:   John Neubauer
Publisher:   Brill
Imprint:   Brill
Volume:   14
Weight:   0.614kg
ISBN:  

9789004343351


ISBN 10:   9004343350
Pages:   290
Publication Date:   20 July 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Preface Words of Thanks List of Abbreviations List of Illustrations Introduction Retelling the Fifth Absolute or Emancipated Music? Part 1: The New Discourses Part 2: Romantic Orality Part 1: New Discourses about Music Introduction to Part 1 1 The Music Journals Allgemeine Musikalische Zeitung (amz) Friedrich Rochlitz Gottfried Wilhelm Fink A.B. Marx and the Berliner allgemeine musikalische Zeitung (bamz) Revue et Gazette musicale de Paris (rgm) Maurice Schlesinger Jules Janin Hector Berlioz Neue Zeitschrift fur Musik (NZfM) 2 From Poetry to Music Novels Gulden/Fiorino, Hildegard von Hohental, Heinrich von Ofterdingen Le neveu de Rameau Hegel's Spirit Ritter Gluck 3 Failing Musicians, Failed Education The Berglinger Stories Miseducation or Music Madness Der Besuch im Irrenhause (1804) Der arme Spielmann 4 Serialized Novellas Hoffmann in Germany Hoffmann in France and in Fiction Janin's Hoffmann Opera Fiction Opera in Balzac's Gambara and Massimilla Doni Historical Musicians in Fiction 5 Narrating Listeners, Narrating Instruments Listeners Narrate Instruments Narrate Berlioz Harold en Italie (1834) Romeo et Juliette (1839) Schumann Part 2: Romantic Orality 6 From Journals to Battles Battle Drums at Dresden, Leipzig, and Wellington Waltzing in Vienna 7 Music Histories: From Gossip to Nationalism Anecdotes, Gossip, and Obituaries Stendhal - A Biographer? Voice and Instruments in History Thibaut's Musical Past and Legal Present Schumann and Thibaut F.-J. Fetis: The Glory of the Low Countries? 8 Speech and Song Michel Foucault Friedrich Schlegel and Franz Bopp Wilhelm von Humboldt Johann Christoph Adelung The Mother's Voice and Pestalozzi Der goldene Topf 9 Vocal Authenticity? Ossianism Herder on Ossian Forgeries, Opera Adapations, Plagiarisms, and Copyrights Authentic Folk Songs? Whose Wunderhorn? 10 Write as You Speak - in Serbian Kopitar, the Networker Karadzic, the Voice of the Volk Jacob Grimm, the Patron Fauriel, the Professor Parry and Bartok: Secondary Orality 11 Contrafacts from the British Isles Scott (Re)turns to Ulster Byron on Jordan's Banks Schumann as Saul 12 Vernacular Operas Epilogue References Index

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Author Information

John Neubauer (Budapest 1933 - Amsterdam 2015) was Professor of Comparative Literature at the University of Amsterdam. Among his works are The Emancipation of Music from Language (1986), The Fin-de-siecle Culture of Adolescence (1992) and the four-volume History of the Literary Cultures of East-Central Europe (4 vols., ed. w. M. Cornis-Pope, 2004-10).

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