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OverviewFollowing on from the highly successful first anthology of critical and theoretical writings on performance studies, this is an updated and significantly expanded second edition which brings the anthology up to date with current debate. The new edition contains expanded introductory essays, eight entirely new pieces, and is cross-referenced with Richard Schechner's second edition of Performance Studies: An Introduction. The two volumes combine perfectly to offer a unique and complete teaching resource. This important collection is also widely used by students and scholars around the world as a stand-alone text, offering a stimulating introduction to the crucial debates of performance studies. Collecting together key critical pieces, the Reader provides an overview of the full range of performance theory for undergraduates at all levels, and beginning graduate students in performance studies, theatre, performing arts and cultural studies. Full Product DetailsAuthor: Henry Bial (University of Kansas, USA) , Sara BradyPublisher: Taylor & Francis Ltd Imprint: Routledge Edition: 2nd New edition Dimensions: Width: 17.40cm , Height: 2.90cm , Length: 24.60cm Weight: 0.914kg ISBN: 9780415772747ISBN 10: 0415772745 Pages: 424 Publication Date: 28 March 2007 Audience: Adult education , Further / Higher Education Replaced By: 9781138023352 Format: Hardback Publisher's Status: Out of Print Availability: Out of stock Table of ContentsIntroduction Henry Bial Part 1: What is Performance Studies? Richard Schechner, W.B. Worthen, Jon McKenzie, Shannon Jackson, Barbara Kirschenblatt-Gimblett, John Bell Part 2: What is Performance? Erving Goffman, Clifford Geertz, Marvin Carlson, Neal Gabler, Peggy Phelan Part 3: Ritual Victor Turner, Catherine Bell, Michael Atwood Mason, Alyda Fabe, Jack Santino Part 4: Play Johan Huizinga, Gregory Bateson, Brian Sutton-Smith, Allan Kaprow, B.J. Ancelet Part 5: Performativity J.L. Austin, Judith Butler, Andrew Parker and Eve Kosofsky Sedgwick, Johannes Fabian, Jacques Derrida Part 6: Performing Bertolt Brecht, Jerzy Grotowski, Lee Strasberg, Frances Harding, Rhonda Blair Part 7: Performance Processes Vsevolod Meyerhold, Isidore Okpewho, Marco De Marinis, Eugenio Barba, Mary Zimmerman Part 8: Global and Intercultural Performance Victor Turner with Edie Turner, Homi K. Bhabha, Guillermo Gómez-Peña, Jill Lane, Dwight Conquergood, Diana TaylorReviews'A collection of this type has been needed for a long time.' -. <br>- Sally Harrison-Pepper, Miami University <br> 'Clearly an important collection of essays that will provide an excellent resource.' -. <br>-Nick Kaye, University of Manchester <br> 'A collection of this type has been needed for a long time.' -. - Sally Harrison-Pepper, Miami University 'Clearly an important collection of essays that will provide an excellent resource.' -. -Nick Kaye, University of Manchester ""'A collection of this type has been needed for a long time.' -."" -""Sally Harrison-Pepper, Miami University ""'Clearly an important collection of essays that will provide an excellent resource.' -."" -Nick Kaye, University of Manchester Author InformationHenry Bial is Assistant Professor of Theatre and Film at the University of Kansas. He is the author of Acting Jewish: Negotiating Ethnicity on the American Stage and Screen and co-editor, with Carol Martin, of Brecht Sourcebook. Tab Content 6Author Website:Countries AvailableAll regions |
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