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OverviewCovers the Italian Baroque period (1600-1730). Borgir rejects the notion that the basso continuo line is doubled by bass instruments and shows how these have an independent musical function in ensemble music. He untangles their confusing terminology and also explores the unexpected uses of the large lutes. Italian continuo practice included elaborate training in improvisation described in detail here for the first time. Tharald Borgir is Professor Emeritus in the Music Department at Oregon State University. His principal performance activities have been on the harpsichord and the fortepiano. Full Product DetailsAuthor: Tharald Borgir (Royalty Account)Publisher: Boydell & Brewer Ltd Imprint: University of Rochester Press Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 22.90cm Weight: 0.292kg ISBN: 9780835719124ISBN 10: 083571912 Pages: 188 Publication Date: 01 March 1991 Audience: College/higher education , Professional and scholarly , Postgraduate, Research & Scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews... a major reconsideration of the sound of 17th-century Italian music ... --CHOICE Author InformationTab Content 6Author Website:Countries AvailableAll regions |