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OverviewFull Product DetailsAuthor: Branislav JakovljevicPublisher: The University of Michigan Press Imprint: The University of Michigan Press Weight: 0.454kg ISBN: 9780472077335ISBN 10: 0472077333 Pages: 292 Publication Date: 15 April 2025 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Available To Order We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsPreface to Post-Ideology Ch. 1: Performance (Art) Apparatus Ch. 2: The Social Science of Performance Ch. 3: Agit-Funk: A Love Lesson for the Apparatus Ch. 4: Situation: On Performance Dramaturgy Ch. 5: Disassembling the Self: Towards a Revolutionary Subject Ch. 6: Strategy without a Subject Ch. 7: Performance Art Histories and the Dispositif of Ideology Postscript to the Non-Ideology BibliographyReviews""Jakovljević's study places performance within a broad cultural critique that draws on a wide range of theoretical writings in philosophy, the social sciences, and performance theory. He builds his argument via Louis Althusser’s influential essay “Ideology and Ideological State Apparatuses,” situating the performance apparatus of his title within the broad area of everyday behaviors and practices as realized in the work of artists from the 1960s through the 2010s. Summing up: Recommended, Researchers and faculty only."" -- Choice Author InformationBranislav Jakovljević is Professor of Theater and Performance Studies at Stanford University and is author of Alienation Effects: Performance and Self-Management in Yugoslavia, 1945–91. Tab Content 6Author Website:Countries AvailableAll regions |
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