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OverviewFull Product DetailsAuthor: Professor Jean-Michel Rabaté (University of Pennsylvania, USA)Publisher: Bloomsbury Publishing Plc Imprint: Bloomsbury Academic USA Dimensions: Width: 14.00cm , Height: 1.40cm , Length: 21.60cm Weight: 0.413kg ISBN: 9781501308000ISBN 10: 1501308009 Pages: 232 Publication Date: 21 April 2016 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: Formations of Pathos: Nietzsche, Benjamin, Warburg 1.“Pathos of distance”: Huneker and Barthes reading Nietzsche 2. “Hard” modernism: Alfred Jarry 3. The Birth of Irish Modernism from the Spirit of Nietzscheism 4. Ethos vs. Pathos of the New in 1910 5. Affect Effects Affects: Deleuzian Affect vs. Lacanian Pathos 6.“Playing Possum”: War, Death and Distance in Eliot’s poetry 7. Let the wound speak: Cocteau’s Pathosformel 8. The Pathos of History: Trauma in Siri Hustvedt’s The Sorrows of an American 9. Pathos of the Future: Nihilism and Hospitality in The Childhood of Jesus Conclusion: When is a door not a door? Bibliography IndexReviewsIn his latest book, the prolifically inventive scholar Jean-Michel Rabate offers a lyrical meditation on Nietzsche's famous concept of the 'pathos of distance,' drawing out the implications of this pathos for modernist aesthetics. Instead of a conventional go-ahead academic argument, Rabate presents a 'chronotopic mosaic,' ranging across several languages and cultural traditions. In this panoramic vista, unexpected affinities emerge between such figures as Benjamin and Duchamp, Eliot and Lukacs, Kierkegaard and Siri Hustvedt. Breathtaking in range and erudition, and crafted with elegance and wit, The Pathos of Distance enriches our understanding of modernism while pioneering a new mode of thinking and writing about art and literature. Maud Ellmann, Randy L. and Melvin R. Berlin Professor of the Development of the Novel in English, University of Chicago, USA Jean-Michel Rabate's exceptional grasp of the broadest landscapes of modern literature, philosophy, psychoanalysis and culture is brought to bear in this volume on a range of writings and visual representations from the late nineteenth century to the present, from Yeats and Eliot to Coetzee and Hustvedt. In these brilliant readings and explorations of terms for thought - aura, allegory, affect - we find texts, images and concepts opened up in entirely new ways. Laura Marcus, Goldsmiths' Professor of English Literature, New College, University of Oxford, UK In his latest book, the prolifically inventive scholar Jean-Michel Rabate offers a lyrical meditation on Nietzsche's famous concept of the pathos of distance, drawing out the implications of this pathos for modernist aesthetics. Instead of a conventional go-ahead academic argument, Rabate presents a 'chronotopic mosaic,' ranging across several languages and cultural traditions. In this panoramic vista, unexpected affinities emerge between such figures as Benjamin and Duchamp, Eliot and Lukacs, Kierkegaard and Siri Hustvedt. Breathtaking in range and erudition, and crafted with elegance and wit, The Pathos of Distance enriches our understanding of modernism while pioneering a new mode of thinking and writing about art and literature. Maud Ellmann, Randy L. and Melvin R. Berlin Professor of the Development of the Novel in English, University of Chicago, USA Author InformationJean-Michel Rabaté is Professor of English and Comparative Literature at the University of Pennsylvania, USA. He is the author or editor of more than thirty books, including Crimes of the Future (2014), The Cambridge Introduction to Literature and Psychoanalysis (2014), the edited volume 1922: Literature, Culture, Politics, and Think, Pig! Beckett at the Limit of the Human (2016). Tab Content 6Author Website:Countries AvailableAll regions |