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Awards
OverviewFull Product DetailsAuthor: Christopher GoGwilt (Professor of English, Professor of English, Fordham University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.40cm , Height: 2.00cm , Length: 15.60cm Weight: 0.540kg ISBN: 9780199330133ISBN 10: 0199330131 Pages: 352 Publication Date: 10 October 2013 Audience: College/higher education , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: To order Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"INTRODUCTION Chapter 1: The Linguistic-Literary Coordinates of English, Creole, and Indonesian Modernism PART I: ENGLISH MODERNISM Chapter 2: Opera, Modernism, and Modernity: Reading Counterpoint in Conrad's Malay Trilogy and Pramoedya's Buru Tetralogy Chapter 3: The Repetitive Formation of English Modernism: Jean Rhys, Ford Madox Ford, and the Memory of Joseph Conrad PART II: CREOLE MODERNISM Chapter 4: Jean Rhys's Francophone English and the Creole ""impasse"" of Modernity Chapter 5: Creole Legacies in Rhys's Wide Sargasso Sea and Pramoedya's This Earth of Mankind PART III: INDONESIAN MODERNISM Chapter 6: The Vanishing Genre of the Nyai Narrative: Reading Genealogies of English and Indonesian Modernism Chapter 7: Decolonizing Tradition: Pramoedya's Indonesian Modernism CONCLUSION Chapter 8: Postcolonial Philology and the Passage of Literature Bibliography"ReviewsGoGwilt's practice of postcolonial philology offers modernist studies a rich theoretical approach through which to intimately connect, rather than merely multiply, transnational modernist movements. More importantly, he demonstrates how such readings can do ample justice to the historical and material interrelations of these modernisms. * Modern Fiction Studies * A brilliant comparative study of the interrelated genealogies of English, Creole, and Indonesian modernisms...GoGwilt reinvigorates postcolonial studies by returning it to close textual analysis. His valuable book will surely generate much research. Highly recommended. * Choice * This is an illuminating comparative study of different genealogies of the modernist novel across continents and periods in the twentieth and early twenty-first century. The book's chapters on Pramoedya Ananta Toer's fascinating body of work add a genuinely non-Anglophone transnational dimension to the study of literary modernism, particularly in their provocative call for a theoretically informed postcolonial philology. * Pheng Cheah, author of Spectral Nationality: Passages of Freedom from Kant to Postcolonial Literatures of Liberation * Reading three diverse modernisms-English, Creole, and Indonesian-in close conversation with one another, Christopher GoGwilt confronts the limits of predominantly Anglophone approaches to modernism. In the process, he redefines key concepts in postcolonial and modernist studies, productively extends recent debates concerning world literature, and offers a model for reconfiguring temporal and geographical relationships in global modernist studies. * Mary Lou Emery, author of Modernism, the Visual, and Caribbean Literature * The Passage of Literature broadens our understanding of literary modernism, literary antecedents, and often-overlooked connections. In exploring the ''passage'' of literature, the work also offers a reading of history, even as it reminds us of how the literary and linguistic enterprises are intimately connected with contending histories, politics, and genealogies. In so doing, GoGwilt's study offers fresh insights into the historical, literary, and linguistic understandings of modernism(s) and of modernity. * Veronica M. Gregg, Modern Philology * The Passage of Literature broadens our understanding of literary modernism, literary antecedents, and often-overlooked connections. In exploring the passage of literature, the work also offers a reading of history, even as it reminds us of how the literary and linguistic enterprises are intimately connected with contending histories, politics, and genealogies. In so doing, GoGwilt's study offers fresh insights into the historical, literary, and linguistic understandings of modernism(s) and of modernity. Veronica M. Gregg, Modern Philology Reading three diverse modernisms-English, Creole, and Indonesian-in close conversation with one another, Christopher GoGwilt confronts the limits of predominantly Anglophone approaches to modernism. In the process, he redefines key concepts in postcolonial and modernist studies, productively extends recent debates concerning world literature, and offers a model for reconfiguring temporal and geographical relationships in global modernist studies. Mary Lou Emery, author of Modernism, the Visual, and Caribbean Literature This is an illuminating comparative study of different genealogies of the modernist novel across continents and periods in the twentieth and early twenty-first century. The book's chapters on Pramoedya Ananta Toer's fascinating body of work add a genuinely non-Anglophone transnational dimension to the study of literary modernism, particularly in their provocative call for a theoretically informed postcolonial philology. Pheng Cheah, author of Spectral Nationality: Passages of Freedom from Kant to Postcolonial Literatures of Liberation A brilliant comparative study of the interrelated genealogies of English, Creole, and Indonesian modernisms...GoGwilt reinvigorates postcolonial studies by returning it to close textual analysis. His valuable book will surely generate much research. Highly recommended. Choice GoGwilt's practice of postcolonial philology offers modernist studies a rich theoretical approach through which to intimately connect, rather than merely multiply, transnational modernist movements. More importantly, he demonstrates how such readings can do ample justice to the historical and material interrelations of these modernisms. Modern Fiction Studies The Passage of Literature broadens our understanding of literary modernism, literary antecedents, and often-overlooked connections. In exploring the ''passage'' of literature, the work also offers a reading of history, even as it reminds us of how the literary and linguistic enterprises are intimately connected with contending histories, politics, and genealogies. In so doing, GoGwilt's study offers fresh insights into the historical, literary, and linguistic understandings of modernism(s) and of modernity. --Veronica M. Gregg, Modern Philology Reading three diverse modernisms-English, Creole, and Indonesian-in close conversation with one another, Christopher GoGwilt confronts the limits of predominantly Anglophone approaches to modernism. In the process, he redefines key concepts in postcolonial and modernist studies, productively extends recent debates concerning world literature, and offers a model for reconfiguring temporal and geographical relationships in global modernist studies. --Mary Lou Emery, author of Modernism, the Visual, and Caribbean Literature This is an illuminating comparative study of different genealogies of the modernist novel across continents and periods in the twentieth and early twenty-first century. The book's chapters on Pramoedya Ananta Toer's fascinating body of work add a genuinely non-Anglophone transnational dimension to the study of literary modernism, particularly in their provocative call for a theoretically informed postcolonial philology. --Pheng Cheah, author of Spectral Nationality: Passages of Freedom from Kant to Postcolonial Literatures of Liberation [A] brilliant comparative study of the interrelated genealogies of English, Creole, and Indonesian modernisms...GoGwilt reinvigorates postcolonial studies by returning it to close textual analysis. His valuable book will surely generate much research. Highly recommended. --Choice GoGwilt's practice of postcolonial philology offers modernist studies a rich theoretical approach through which to intimately connect, rather than merely multiply, transnational modernist movements. More importantly, he demonstrates how such readings can do ample justice to the historical and material interrelations of these modernisms. --Modern Fiction Studies Valuable for its many boundary-pushing endeavors and for the points of philological connection it raises between rarely compared writers. --NOVEL Author InformationChristopher GoGwilt is Professor of English and Comparative Literature at Fordham University. He is the author of The Invention of the West: Joseph Conrad and the Double-Mapping of Europe and Empire and The Fiction of Geopolitics: Afterimages of Culture from Wilkie Collins to Alfred Hitchcock. Tab Content 6Author Website:Countries AvailableAll regions |
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