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OverviewFull Product DetailsAuthor: David Bradby , Maria M. Delgado , Maria M. Delgado , David BradbyPublisher: Manchester University Press Imprint: Manchester University Press Dimensions: Width: 13.80cm , Height: 1.70cm , Length: 21.60cm Weight: 0.376kg ISBN: 9780719061844ISBN 10: 0719061849 Pages: 320 Publication Date: 25 April 2002 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsIntroduction: Piecing together the Paris jigsaw – David Brady and Maria M. Delgado Part I: Case studies 1. Peter Brook and the CICT (Le Centre International de Créations Théâtrales) ‘Towards an art of memory’: Peter Brook, a foreigner in Paris – David Williams ‘Playful understanding’: an interview with David Bennet – David Bradby and David Williams ‘The quality of understanding’: an interview with Bruce Myers – David Williams’ ‘Communication and the blood of the stage’: an interview with Yoshi Oida – David Bradby and David Williams Peter Brook and the freedom of intercultural theatre – Daniel Meyer-Dinkgräfe 2. Jacques Lecoq and his ‘Ecole Internationale de Théâtre’ in Paris The legacy of Lecoq – David Bradby The pedagogy of the poetic body – Giovanni FUsetti and Suzy Willson James Lecoq and his influence in Catalonia – Mercè Saumell 3. Ariane Mnouchkine and the Théâtre du Soleil Cultural politics and theatrical practice in the history of the Théâtre du Soleil – David Bradby Travels with the Soleil – Jean-François Dusigne 4. Augusto Boal and the Théâtre de L’Opprimé Augusto Boal and the journey to the Centre of Theatre of the Oppressed (Paris) – Paul Heritage ‘The crossing of many cultures’: an interview with Augusto Boal – Paul Heritage ‘Placing two things together, you create a third’: an interview with Rui Frati’ Joel Anderson Part II: The input of different national theatre traditions to the ‘internationalism’ of Paris theatre 5. The German presence The German presence in Paris – Rudolf Rach and David Bradby 6. The Russian presence The Russian presence in Paris 1988–2000 – Maria Shevtsova 7. The Spanish presence ‘City of Light’: an interview with Fernando Arrabal – Alain Schifrès Spanish presence on the contemporary Parisian stage – Phyllis Zatlin ‘Paris as a kind of meeting point’: an email interview with Lluís Pasqual – Maria M. Delgado 8. The Latin American presence An Argentine in Paris: an interview with Jorge Lavelli – Maria M. Delgado 9. The North American presence Did Paris steal the show for American postmodern directors? – Frédéric Maurin Creating the theatrical museum: theatrical visions of an alternative America; cultural politics and the Festival d’Automne, 1972–2000 – Jim Carmody 10. The African presence The African presence in Paris – Judith G. Miller ‘Looking outside of Europe’: a conversation with Sylvie Chalaye – Judith G. Miller Afterword: British intersections with Paris – Peter Lichtenfels Index -- .ReviewsAuthor InformationDavid Bradby is Professor of Drama and Theatre at Royal Holloway, University of London Maria M. Delgado is Senior Lecturer in Drama at Queen Mary, University of London Tab Content 6Author Website:Countries AvailableAll regions |
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