Overview
The Oxford History of the Novel in English is a 12-volume series presenting a comprehensive, global, and up-to-date history of English-language prose fiction and written by a large, international team of scholars. The series is concerned with novels as a whole, not just the 'literary' novel, and each volume includes chapters on the processes of production, distribution, and reception, and on popular fiction and the fictional sub-genres, as well as outlining the work of major novelists, movements, traditions, and tendencies.Volume 1 explores the long period between the origins of printing in late fifteenth-century England and the establishment of the novel as a recognized, reputable genre in the mid eighteenth century. Later chapters in the volume provide original, authoritative accounts of innovations by the major canonical authors, notably Defoe, Richardson, and Fielding, who have traditionally been seen as pioneering 'the rise of the novel', in Ian Watt's famous phrase. With its extended chronological and geographical range, however, the volume also contextualizes these eighteenth-century developments in revelatory new ways, to provide a fresh, bold, and comprehensive account of the richness and variety of fictional traditions as they developed over two and a half centuries. The volume thus establishes a newly comprehensive mapping of early fiction that rectifies the shortcomings and exclusions of established 'rise of the novel' scholarship. These include the relative neglect of the importance of women writers, following Behn's reinvention of romance in the 1680s, in shaping novelistic themes and techniques; a restrictive generic definition based on circumstantial and psychological realism to the exclusion of non-realist modes that flourished for centuries beforehand; a teleological bias that overlooks or downgrades phases and types of fiction production, such as the richly variegated category of Elizabethan fiction, that resist being assimilated into narratives of evolution or ascent; a reductive Anglocentrism that leaves out of account the translation, reception, and pervasive influence from the sixteenth century onwards of, among much else, the 'ancient novel' of Apuleius and Heliodorus; Byzantine, Arabian, and Eastern traditions; the Italian novella from Boccaccio to Bandello; Spanish picaresque and anti-romance; and a range of French narrative modes from Rabelais to Marivaux. Alongside these key contexts, the volume treats the emergent novel as, above all, a phenomenon of print culture, with close attention to conditions of authorship, publishing, and reading across the extended period.
Full Product Details
Author: Thomas Keymer (Chancellor Jackman Professor in the Arts & University Professor of English, University of Toronto)
Publisher: Oxford University Press
Imprint: Oxford University Press
Dimensions:
Width: 20.10cm
, Height: 4.40cm
, Length: 25.60cm
Weight: 1.322kg
ISBN: 9780199580033
ISBN 10: 0199580030
Pages: 672
Publication Date: 12 October 2017
Audience:
College/higher education
,
Professional and scholarly
,
Tertiary & Higher Education
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: To order
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.
Reviews
An inclusive and judicious account of British fiction before 1750. ... Summing Up: Essential. Upper-division undergraduates through faculty. * A. W. Lee, CHOICE *
An inclusive and judicious account of British fiction before 1750. ... Summing Up: Essential. Upper-division undergraduates through faculty. * A. W. Lee, CHOICE * This first volume in the set is particularly important for current scholars because earlier theories regarding what constitutes the first modern novel have been questioned, and demand additional research ... It is a relief that an Oxford textbook is responding to scholarly concerns ahead of many other literary critics. * Anna Faktorovich, Pennsylvania Literary Journal *
An inclusive and judicious account of British fiction before 1750. ... Summing Up: Essential. Upper-division undergraduates through faculty. * A. W. Lee, CHOICE * This first volume in the set is particularly important for current scholars because earlier theories regarding what constitutes the first modern novel have been questioned, and demand additional research ... It is a relief that an Oxford textbook is responding to scholarly concerns ahead of many other literary critics. * Anna Faktorovich, N/A, Pennsylvania Literary Journal *
Author Information
Thomas Keymer is Chancellor Jackman Professor in the Arts and University Professor of English at the University of Toronto. He previously taught at St Anne's College, Oxford, where he remains a Supernumerary Fellow. He also serves as General Editor of The Review of English Studies and co-General Editor of the Cambridge Edition of the Works and Correspondence of Samuel Richardson. His most recent books include The Cambridge Companion to Laurence Sterne (2009), the Oxford World's Classics edition of William Beckford's Vathek (2013) and Poetics of the Pillory: English Literature and Seditious Libel, 1660-1820, forthcoming in OUP's Clarendon Lectures in English series.
