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OverviewThe Oxford History of Poetry in English (OHOPE) is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. OHOPE both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes.By taking as its purview the full seventeenth century, 1603-1700, this volume re-draws the existing literary historical map and expands upon recent rethinking of the canon. Placing the revolutionary years at the centre of a century of poetic transformation, and putting the Restoration back into the seventeenth century, the volume registers the transformative effects on poetic forms of a century of social, political, and religious upheaval. It considers the achievements of a number of women poets, not yet fully integrated into traditional literary histories. It assimilates the vibrant literature of the English Revolution to what came before and after, registering its long-term impact. It traces the development of print culture and of the literary marketplace, alongside the continued circulation of poetry in manuscript. It places John Milton, Andrew Marvell, Margaret Cavendish, and Katherine Philips and other mid-century poets into the full century of specifically literary development. It traces continuity and change, imitation and innovation in the full-century trajectory of such poetic genres as sonnet, elegy, satire, georgic, epigram, ode, devotional lyric, and epic. The volume's attention to poetic form builds on the current upswing in historicist formalism, allowing a close focus on poetry as an intensely aesthetic and social literary mode. Designed for maximum classroom utility, the organization is both thematic and (in the authors section) chronological. After a comprehensive Introduction, organizational sections focus on Transitions; Materiality, Production, and Circulation; Poetics and Form; Genres; and Poets. Full Product DetailsAuthor: Laura L. Knoppers (George N. Shuster Professor of English, University of Notre Dame)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 17.80cm , Height: 3.60cm , Length: 25.30cm Weight: 1.146kg ISBN: 9780198852803ISBN 10: 0198852800 Pages: 576 Publication Date: 08 August 2024 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents1: Laura L. Knoppers: Introduction I. TRANSITIONS 2: Sebastiaan Verweij: Jacobean to Early Stuart: Scottish and English Poetry and Poetics 3: Anthony Welch: Sixteenth-Century European Influences 4: Sheldon Brammall: Classical Influences and Innovation 5: Thomas Fulton: Biblical Translation and Inspiration II. MATERIALITY, PRODUCTION, AND CIRCULATION 6: Victoria E. Burke: Poetry in Scribal Publication and Circulation 7: Emma DePledge: Poetry, Publishers, and Print 8: Michelle O'Callaghan: Poetic Miscellanies in Manuscript and Print 9: Diana Solomon: Poetry on the Stage III. POETICS AND FORM 10: Lara Dodds: Speaker and Voice 11: Sophie Read: Rhetoric and Figurative Language (Metaphor) 12: Mandy Green: Allusion 13: Jack Lynch: Rhyme, Meter, Sound, Form IV. GENRES 14: Ryan Netzley: Sonnet 15: Ann Baynes Coiro: Epigram 16: Sarah C. E. Ross: Elegy 17: Seth Lobis: Georgic 18: Takashi Yoshinaka: Ode 19: Clement Hawes: Satire 20: Una McIlvenna: Songs, Ballads, and Broadsides 21: Tanya M. Caldwell: Translation 22: Helen Wilcox: Devotional Lyric 23: David Venturo: Epic and Mock Epic V. POETS 24: Laura L. Knoppers: Aemilia Lanyer 25: Achsah Guibbory: John Donne 26: Tom Lockwood: Ben Jonson 27: Rosalind Smith: Lady Mary Wroth 28: Gary Kuchar: George Herbert 29: Nicholas McDowell: Cavalier Poetry 30: Marie-Louise Coolahan: Archipelagic Poetry 31: Maggie Kilgour: John Milton 32: James Loxley: Andrew Marvell 33: Sarah Prescott: Katherine Philips 34: Arnaud Zimmern: Margaret Cavendish and Lucy Hutchinson 35: Gillian Wright: Aphra Behn and John Wilmot, Earl of Rochester 36: Jayne Lewis: John DrydenReviewsAuthor InformationLaura L. Knoppers is George N. Shuster Professor of English at the University of Notre Dame. She has published widely on seventeenth-century British literature and political culture, particularly the works of John Milton. Her books include Politicizing Domesticity from Henrietta Maria to Milton's Eve, The Cambridge Companion to Early Modern Women's Writing, and The Oxford Handbook of Literature and the English Revolution. From 2010 to 2018, she served as editor of Milton Studies. In 2018, she was named an Honoured Scholar of the Milton Society of America. Tab Content 6Author Website:Countries AvailableAll regions |