The Oxford History of Classical Art

Author:   John Boardman
Publisher:   Oxford University Press
Edition:   New edition
ISBN:  

9780192853370


Pages:   415
Publication Date:   01 June 1997
Format:   Paperback
Availability:   To order   Availability explained
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The Oxford History of Classical Art


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Overview

The art and architecture of Greece and Rome lie at the heart of the classical tradition of the western world and their legacy is so familiar as to have become commonplace. In this beautifully illustrated volume, with over 400 colour and black and white pictures, the story of classical art is attractively told by five leading scholars. Their aim has been to demonstrate how the arts served very different societies and patrons - tyrannies, democracies, empires; the roles and objectives of the artists; the way in which the classical style was disseminated far beyond the borders of the Greek and Roman world; but especially the splendour and quality of the arts themselves. This book is intended for students of the art and archaeology of ancient Greece and Rome; those with an interest in the civilization of the classical world.

Full Product Details

Author:   John Boardman
Publisher:   Oxford University Press
Imprint:   Oxford Paperbacks
Edition:   New edition
Dimensions:   Width: 21.00cm , Height: 2.80cm , Length: 27.00cm
Weight:   1.618kg
ISBN:  

9780192853370


ISBN 10:   0192853376
Pages:   415
Publication Date:   01 June 1997
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Introduction; The Archaic Period; The Classical Period; The Hellenistic Period; The Early Roman Period; The Later Roman Period; The Diffusion of Classical Art in Antiquity.

Reviews

The text moves along briskly, with never a word wasted....The Oxford History goes straight to the point and sticks to it all the way.--The New York Times Book Review Most impressive....It functions as both a definitive history and a reference to all the major artworks produced by classical civilization.--The Philadelphia Inquirer The changing forms of classical art, the differing societies and patrons for whom artifacts were produced, the roles and objectives of the artists, and the manner in which classical art was disseminated throughout the ancient world are all well analyzed and well presented.--Library Journal


The text moves along briskly, with never a word wasted....The Oxford History goes straight to the point and sticks to it all the way. --The New York Times Book Review<br> Most impressive....It functions as both a definitive history and a reference to all the major artworks produced by classical civilization. --The Philadelphia Inquirer<br> The changing forms of classical art, the differing societies and patrons for whom artifacts were produced, the roles and objectives of the artists, and the manner in which classical art was disseminated throughout the ancient world are all well analyzed and well presented. --Library Journal<br>


The text moves along briskly, with never a word wasted....The Oxford History goes straight to the point and sticks to it all the way. --The New York Times Book Review Most impressive....It functions as both a definitive history and a reference to all the major artworks produced by classical civilization. --The Philadelphia Inquirer The changing forms of classical art, the differing societies and patrons for whom artifacts were produced, the roles and objectives of the artists, and the manner in which classical art was disseminated throughout the ancient world are all well analyzed and well presented. --Library Journal


"""The text moves along briskly, with never a word wasted....The Oxford History goes straight to the point and sticks to it all the way.""--The New York Times Book Review ""Most impressive....It functions as both a definitive history and a reference to all the major artworks produced by classical civilization.""--The Philadelphia Inquirer ""The changing forms of classical art, the differing societies and patrons for whom artifacts were produced, the roles and objectives of the artists, and the manner in which classical art was disseminated throughout the ancient world are all well analyzed and well presented.""--Library Journal"


Given the importance of Greek and Roman art to the development of Western civilization, this new book is essential to all those interested in art. And, considering the eminence of the writers involved the result is guaranteed to be an impeccable account. Add the high levels of design and production, and the result is both immensely authoritative and attractive, an ideal companion to The Oxford History of the Classical World. Telling a story that spans some 1500 years, the book provides an accessible guide to the development of visual art in ancient Greece and Rome. Carefully selecting its rich illustrations and integrating them with a detailed text, it draws the reader's attention to the meaning and relevance of individual works of art and to the legacy of classical art in general. As they follow their chronological path from the 8th century BC to the Christianization of Rome, the chapters reveal how the arts served very different societies and patrons - tyrannies, democracies, empires - and how the classical style was disseminated far beyond the borders of the Greek and Roman worlds. Above all, however, what emerges from these pages is the splendour and quality of the arts themselves. (Kirkus UK)


Author Information

About the Editor: John Boardman is Lincoln Professor of Classical Archaelogy and Art at Oxford University, and editor of the acclaimed Oxford History of The Classical World, which The New York Times Book Review called ""the finest one-volume survey available.""

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