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Author:   Matthew Bevis (University Lecturer and Fellow in English, University Lecturer and Fellow in English, Keble College, University of Oxford)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 18.40cm , Height: 5.60cm , Length: 25.00cm
Weight:   1.732kg
ISBN:  

9780199576463

ISBN 10:   0199576467
Pages:   908
Publication Date:   31 October 2013
Audience:   College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Matthew Bevis: Introduction: At Work with Victorian Poetry Form 2.      : Michael Hurley: Rhythm 3.      : Derek Attridge: Beat 4.      : Robert Douglas-Fairhurst: Address 5.      : Matthew Campbell: Rhyme 6.      : Garrett Stewart: Diction 7.      : Isobel Armstrong: Syntax 8.      : Herbert Tucker: Story Literary Landscapes 9.      : Isobel Hurst: Victorian Poetry and The Classics 10.    : Matthew Townend: Victorian Medievalisms 11.    : Erik Gray: Victorian Miltons 12.    : Bharat Tandon: Victorian Shakespeares 13.    : Michael O Neill: The Romantic Bequest: Arnold and Others 14.    : Elisa New: American Intersections: Poetry in the United States 1837-1901 15.    : Peter Robinson: The Poetry of Modern Life: On the Pavement 16.    : Adam Piette: Modernist Victorianism 17.    : David Wheatley: Dispatched Dark Regions Far Afield and Farther : Contemporary Poetry and Victorianism Readings 18.    : Caroline Levine: Rhyme, Rhythm, Violence: Elizabeth Barrett Browning on Slavery 19.    : Ruth Padel: Tennyson: Echo and Harmony, Music, and Thought 20.    : Ross Wilson: Browning's Balancing Acts 21.    : Hugh Haughton: Edward Lear and 'The fiddlediddlety of representation' 22.    : Michael Wood: Crime and Conjecture: Emily Brontë's Poems    23.    : Adam Phillips: Arthur Hugh Clough: The Reception and Conception of Amours de Voyage 24.    : Jane Wright: Matthew Arnold, Out of Time    25.    : Andrew Elfenbein: Modern Men and Women: Meredith's challenge to Browning 26.    : J. B. Bullen: Raising The Dead: Dante Gabriel Rossetti's Willowwood sonnets  27.    : Constance Hassett: Christina Rossetti: Ravens, Cockatoos and Range 28.    : Marcus Waithe: William Barnes: Views of Field Labour in Poems of Modern Life 29.    : Clive Wilmer: Dreaming Reality: The Poetry of William Morris 30.    : Mark Ford: City of Pain: The Poetry of James Thomson 31.    : Emily Harrington: Augusta Webster: Time and The Lyric Ideal 32.    : Simon Jarvis: Swinburne: The Insuperable Sea 33.    : Seamus Perry  : Hardy's Imperfections 34.    : Martin Dubois: Hopkins's Beauty 35.    : Linda K. Hughes: Michael Field (Katherine Bradley & Edith Cooper): Sight and Song and Significant Form 36.    : Meredith Martin: Alice Meynell, Again and Again 37.    : Janet Gezari: Housman's Difficulty  38.    : Peter Howarth: Rudyard Kipling plays the Empire 39.    : Peter McDonald: Victorian Yeats  40.    : Tim Kendall: The Passion of Charlotte Mew  The Place of Poetry 41.    : Samantha Matthews : Marketplaces    42.    : Stephanie Kuduk Weiner: Inner Space: Bodies and Minds    43.    : Anna Henchman: Outer Space: Physical Science    44.    : Rolf Lessenich: City and Street    45.    : Catherine Maxwell: In The Artist's Studio    46.    : Francis O Gorman  : On Not Hearing: Victorian Poetry and Music    47.    : Kirstie Blair: Church Going 48.    : Justin Quinn: Irish Poetry in the Victorian Age  49.    : Joe Phelan: Empire and Orientalisms 50.    : James Williams: Comic Verse 51.   : Danny Karlin: 'The song-bird whose name is Legion': Bad Verse and its Critics

Reviews

The Handbook can act as a useful scholarly touchstone, but it is much more than this Sophie Ratcliffe, Tennyson Research Bulletin

Author Information

Matthew Bevis is a University Lecturer and Fellow in English at Keble College, Oxford. He is the author of The Art of Eloquence: Byron, Dickens, Tennyson, Joyce (OUP, 2007) and Comedy: A Very Short Introduction (OUP, 2012). He is the editor of Some Versions of Empson (OUP, 2007).

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