The Oxford Handbook of the Archaeology of the Contemporary World

Author:   Paul Graves-Brown (Honorary Senior Research Associate, Institute of Archaeology, University College London) ,  Rodney Harrison (Reader in Archaeology, Heritage and Museum Studies, Institute of Archaeology, University College London) ,  Angela Piccini (Senior Lecturer in Screen Media, School of Arts, University of Bristol)
Publisher:   Oxford University Press
ISBN:  

9780199602001


Pages:   852
Publication Date:   17 October 2013
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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The Oxford Handbook of the Archaeology of the Contemporary World


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Overview

It has been clear for many years that the ways in which archaeology is practised have been a direct product of a particular set of social, cultural, and historical circumstances - archaeology is always carried out in the present. More recently, however, many have begun to consider how archaeological techniques might be used to reflect more directly on the contemporary world itself: how we might undertake archaeologies of, as well as in the present. This Handbook is the first comprehensive survey of an exciting and rapidly expanding sub-field and provides an authoritative overview of the newly emerging focus on the archaeology of the present and recent past. In addition to detailed archaeological case studies, it includes essays by scholars working on the relationships of different disciplines to the archaeology of the contemporary world, including anthropology, psychology, philosophy, historical geography, science and technology studies, communications and media, ethnoarchaeology, forensic archaeology, sociology, film, performance, and contemporary art. This volume seeks to explore the boundaries of an emerging sub-discipline, to develop a tool-kit of concepts and methods which are applicable to this new field, and to suggest important future trajectories for research. It makes a significant intervention by drawing together scholars working on a broad range of themes, approaches, methods, and case studies from diverse contexts in different parts of the world, which have not previously been considered collectively.

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Author:   Paul Graves-Brown (Honorary Senior Research Associate, Institute of Archaeology, University College London) ,  Rodney Harrison (Reader in Archaeology, Heritage and Museum Studies, Institute of Archaeology, University College London) ,  Angela Piccini (Senior Lecturer in Screen Media, School of Arts, University of Bristol)
Publisher:   Oxford University Press
Imprint:   Oxford University Press
Dimensions:   Width: 18.00cm , Height: 4.80cm , Length: 25.50cm
Weight:   2.010kg
ISBN:  

9780199602001


ISBN 10:   019960200
Pages:   852
Publication Date:   17 October 2013
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Acknowledgements List of Contributors List of Figures Paul Graves-Brown, Rodney Harrison and Angela Piccini: Introduction Part 1: Cross-Disciplinary Perspectives 2: Kathryn Fewster: The relationship between ethnoarchaeology and archaeologies of the contemporary past: a historical investigation 3: Natasha Powers and Lucy Sibun: Forensic archaeology 4: Penny Harvey: Anthropological approaches to contemporary material worlds 5: Tim Cole: The place of things in contemporary history 6: Alan Costall and Ann Richards: Canonical affordances: the psychology of everyday things 7: James Gordon Finlayson: To the things themselves again: observations on what things are and why they matter 8: Timothy Webmoor: STS, symmetry, archaeology 9: Albena Yaneva: Actor-Network-Theory approaches to the archaeology of contemporary architecture 10: Sean Cubitt: Global media and archaeologies of network technologies 11: Wrights & Sites (Stephen Hodge, Simon Persighetti, Phil Smith and Cathy Turner): Performance and the stratigraphy of place: Everything You Need to Build a Town is Here Part 2: Recurrent Themes 12: Laurent Olivier: Time 13: Severin Fowles and Kaet Heupel: Absence 14: Gavin Lucas: Ruins 15: Bjørnar Olsen: Memory 16: Paul Graves-Brown: Authenticity 17: Laura McAtackney: Sectarianism 18: Michael Brian Schiffer: Afterlives 19: Joshua Reno: Waste 20: Rodney Harrison: Heritage 21: Denis Byrne: Difference 22: Alfredo González-Ruibal: Modernism 23: Anna Badcock and Robert Johnston: Protest 24: Larry J. Zimmerman: Homelessness 25: Gabriel Moshenska: Conflict 26: Richard A. Gould: Disaster 27: Matt Edgeworth: Scale Part 3: Mobilities, Space, Place 28: Mimi Sheller: Aluminology: An Archaeology of Mobile Modernity 29: Alice C. Gorman and Beth Laura O Leary: The Archaeology of Space Exploration 30: Nick Shepherd: Contemporary Archaeology in the Postcolony: Disciplinary Entrapments, Subaltern Epistemologies 31: Peter Merriman: Archaeologies of Automobility 32: Shannon Lee Dawdy: Archaeology of Modern American Death: Grave Goods and Blithe Mementos 33: John Schofield: A Dirtier Reality? Archaeological Methods and the Urban Project 34: Laurie A. Wilkie: Heritage and Modernism in New York 35: Uzma Z. Rizvi: Checkpoints as Gendered Spaces: An autoarchaeology of War, Heritage and the City 36: Paul R. Mullins: Race and Prosaic Materiality: The Archaeology of Contemporary Urban Space and the Invisible Colour Line Peter Metelerkamp: Photoessay: Institutional Spaces Part 4: Media and Mutabilities 37: Helen Wickstead: Between the Lines: Drawing Archaeology 38: James R. Dixon: Two riots: The importance of civil unrest in contemporary archaeology 39: Liz Watkins: The Materiality of Film 40: Carolyn L. White: The Burning Man Festival and the Archaeology of Ephemeral and Temporary Gatherings 41: Angela Piccini: Olympic City Screens: Media, Matter and Making Place 42: Cornelius Holtorf: Material Animals: An Archaeology of Contemporary Zoo Experiences Caitlin DeSilvey, with photographs by Steven Bond and Caitlin DeSilvey: Photoessay: On Salvage Photography Part 5: Things and Connectivities 43: Christine Finn: Silicon Valley 44: David de Léon: Building Thought into Things 45: Sefryn Penrose: Archaeologies of the Postindustrial Body 46: Richard Maxwell and Toby Miller: The Material Cellphone 47: Sarah May: The contemporary material culture of the cult of the infant: constructing children as desiring subjects 48: Jem Noble: VHS: A Posthumanist Aesthetics of Recording and Distribution 49: Pierre Lemonnier: Auto-anthropology, modernity and automobiles Yannis Hamilakis and Fotis Ifantidis: Photoessay: The Other Acropolises: Multi-temporality and the Persistence of the Past Index

Reviews

contains a richly eclectic collection of papers ... their collective impact lies in their remarkable and unpredictable diversity. * Dr John Manley, Current Archaeology *


contains a richly eclectic collection of papers ... their collective impact lies in their remarkable and unpredictable diversity. Dr John Manley, Current Archaeology


Author Information

Paul Graves-Brown is an Honorary Senior Research Associate at the Institute of Archaeology, University College London. In addition to the edited volume Matter, Materiality and Modern Culture (2000), he has published widely on topics as diverse as the Sex Pistols and the Kalashnikov AK47. Rodney Harrison is a Reader in Archaeology, Heritage and Museum Studies at the Institute of Archaeology, University College London. He is currently Chair of the Contemporary and Historical Archaeology in Theory (CHAT) Group. He is the author (with John Schofield) of After Modernity: Archaeological Approaches to the Contemporary Past (OUP, 2010), and founding editor of the Journal of Contemporary Archaeology. Angela Piccini is a Senior Lecturer in Screen Media at the School of Arts, University of Bristol. She co-founded the Contemporary and Historical Archaeology in Theory (CHAT) Group with Dan Hicks, and sits on the Committee for Audio-Visual Scholarship and Practice in Archaeology (CASPAR). She publishes on place, materiality, and screen media.

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