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OverviewThe Oxford Handbook of Shakespeare and Early Modern Authorship draws together leading and emerging scholars of Shakespeare and early modern literature to consider anew how authorship worked in the time in which Shakespeare wrote, and to interrogate the construction of the Shakespeare-as-author figure. Composed of four main sections, it offers fresh analysis of the literary and cultural influences and forces that 'formed' authors in the period; the 'mechanics' of early modern authorship; the 'mediation' of Shakespeare and others' works in performance, manuscript, and print; and the critical and popular reimagining across times of Shakespeare as an author figure. Diving into modern debates about early modern authorship, authority, and identity politics, contributors supply rich new accounts of the wider scene of professional authorship in early modern England, of how Shakespeare's writings contributed to it, and of what made him distinctive within it. Looking beyond Shakespeare, the Handbook seeks to provide a vital testing ground for new research into early modern literature and culture more broadly. Full Product DetailsAuthor: Rory Loughnane (Reader in Early Modern Studies, University of Kent) , Will Sharpe (Teaching Fellow in Shakespeare, University of Birmingham)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 18.00cm , Height: 6.00cm , Length: 25.40cm Weight: 1.747kg ISBN: 9780198852414ISBN 10: 019885241 Pages: 928 Publication Date: 09 September 2025 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents1: Rory Loughnane: Introduction PART I: SHAKESPEARE AND AUTHOR FORMATION 2: Heather James: Classical Inheritance 3: Tamara Atkin: Medieval Inheritance 4: Adrian Streete: Religion 5: Mel Evans: Language and Sociolect 6: Gabrielle Golinelli and Iolanda Plescia: Gender 7: Bruce R. Smith: Sexuality 8: Andrew Hadfield: Kinds of Author 9: Andrew Gordon: Textual Environments 10: Tara Hamling and Catherine Richardson: Material Environments 11: Terri Bourus: Theatrical Environments 12: Jeremy Lopez: Competition 13: Meryl Faiers and Martin Wiggins: Economics PART II: SHAKESPEARE AND THE MECHANICS OF AUTHORSHIP 14: Dennis Britton and Melissa Walter: Research 15: Joshua Calhoun and Jonathan Walker: Tools and Materials 16: Andrew Mattison: Solo Authorship 17: Heather A. Hirschfeld: Collaboration 18: Andrew J. Power: Casting 19: Amanda Eubanks Winkler: Music 20: Will Sharpe: Adaptation and Revision 21: Brett Greatley-Hirsch and Sarah Neville: Genre 22: Lisa Hopkins: Form 23: Hugh Craig: Style PART III: MEDIATING SHAKESPEARE AS AUTHOR 24: James J. Marino: Early Performance 25: Amy Lidster: Preliminaries and Paratexts 26: Jennifer Young: Textual Space 27: Claire M. L. Bourne: Typography 28: John Jowett: Variant Texts 29: Tara L. Lyons: Collections 30: Eric Rasmussen and Ian De Jong: Annotation 31: José A. Pérez Díez: Editions and Canonization, 1623-2024 PART IV: CONCEPTS AND CRITIQUES 32: Patrick Cheney: Literary Author 33: Eoin Price and Catherine Clifford: Court Dramatist 34: Chris Fitter: Populist 35: Claire McEachern: National Playwright 36: Jesús Tronch: Attribution and Editing 37: Rachel White: Attribution and Intersectionality 38: Cristina León Alfar: Feminist Authorship Studies 39: Alan Stewart: Queer Authorship Studies 40: Michael Joel Bartelle: Authorship and Othering 41: Alexa Alice Joubin: Screening Authorship, Performativity, and Transness 42: Laurie Johnson: Authorship and Cognitive Studies 43: Vin Nardizzi: Ecologies of Authorship 44: Gary Taylor: The Politics of AttributionReviewsAuthor InformationRory Loughnane is Reader in Early Modern Studies at the University of Kent. He is the author or editor of many books, including, most recently, Editing Archipelagic Shakespeare (with Willy Maley), and has edited more than ten of Shakespeare's plays for the New Oxford Shakespeare. He is a General Editor of The Revels Plays series and the CADRE (Co-Authored Drama in Renaissance England) database, and a Series Editor of Routledge's Studies in Early Modern Authorship and Cambridge's Shakespeare and Text. Will Sharpe is a full-time Teaching Fellow in Shakespeare at the University of Birmingham and has held postdoctoral fellowships at the Universities of Warwick and Leeds. He contributed a monograph-length study on 'Authorship and Attribution' to the RSC volume William Shakespeare and Others: Collaborative Plays (2013), and edited All Is True: Or, King Henry VIII for The New Oxford Shakespeare (2016). He is a revising editor of the updated Oxford Companion to Shakespeare (2015) and is editing Henry VI for the Arden Shakespeare Series. He is also one of the General Editors of Digital Renaissance Editions. Tab Content 6Author Website:Countries AvailableAll regions |