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Author:   Caroline Bithell (Senior Lecturer in Ethnomusicology, Senior Lecturer in Ethnomusicology, University of Manchester) ,  Juniper Hill (Marie Curie Intra-European Fellow, Faculty of Music, Marie Curie Intra-European Fellow, Faculty of Music, Cambridge University)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 17.00cm , Height: 4.10cm , Length: 24.10cm
Weight:   1.120kg
ISBN:  

9780190618810

ISBN 10:   0190618817
Pages:   720
Publication Date:   23 June 2016
Audience:   College/higher education ,  Professional and scholarly ,  Tertiary & Higher Education ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   To order  
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Table of Contents I. Towards Multiple Theories of Music Revival 1. An Introduction to Music Revival as Concept, Cultural Process, and Medium of Change Juniper Hill and Caroline Bithell 2. Traditional Music, Heritage Music Owe Ronström 3. An Expanded Theory for Revivals as Cosmopolitan Participatory Musicmaking Tamara Livingston II. Scholars and Collectors as Revival Agents 4. Antiquarian Nostalgia and the Institutionalization of Early Music John Haines 5. A Folklorist's Exploration of the Revival Metaphor Neil V. Rosenberg 6. A Participant-Documentarian in the American Instrumental Folk Music Revival Alan Jabbour III. Intangible Cultural Heritage, Preservation, and Policy 7. Reviving Korean Identity through Intangible Cultural Heritage Keith Howard 8. Music Revival, Ca Trù Ontologies and Intangible Cultural Heritage in Vietnam Barley Norton 9. The Hungarian Dance House Movement and Revival of Transylvanian String Band Music Colin Quigley IV. National Renaissance and Postcolonial Futures 10. National Purity and Postcolonial Hybridity in India's Kathak Dance Revival Margaret Walker 11. Choreographic Revival, Elite Nationalism and Regional Appropriation in Senegambia, 1930-2010 Hélène Neveu Kringelbach 12. Revived Musical Practices within Uzbekistan's Evolving National Project Tanya Merchant 13. Two Revivalist Moments in Iranian Classical Music Laudan Nooshin 14. Reclaiming Choctaw and Chickasaw Cultural Identity through Music Revival Victoria Levine V. Recovery from War, Disaster, and Cultural Devastation 15. Revivalist Articulations of Traditional Music in War and Post-War Croatia Naila Ceribasi? 16. Cultural Rescue and Musical Revival among the Nicaraguan Garifuna Annemarie Gallaugher 17. Toward a Methodology for Research into the Revival of Musical Life after War, Natural Disaster, Bans on all Music, or Neglect Margaret Kartomi VI. Innovations and Transformations 18. Innovation and Cultural Activism through the Re-imagined Pasts of Finnish Music Revivals Juniper Hill 19. Revival Currents and Innovation on the Path from Protest Bossa to Tropicália Denise Milstein 20. Bending or Breaking the Native American Flute Tradition? Paula Conlon 21. Towards an Application of Globalization Paradigms to Modern Folk Music Revivals Britta Sweers VII. Festivals, Marketing, and Media 22. Contemporary English Folk Music and the Folk Industry Simon Keegan-Phipps and Trish Winter 23. Ivana Kupala (St. John's Eve) Revivals as Metaphors of Sexual Morality, Fertility, and Contemporary Ukrainian Femininity Adriana Helbig 24. Trailing Images and Culture Branding in Post-Renaissance Hawai'i Jane Freeman Moulin 25. Grassroots Revitalization of North American and Western European Instrumental Music Traditions from Fiddlers Associations to Cyberspace Richard Blaustein VIII. Diaspora and the Global Village 26. Georgian Polyphony and its Journeys from National Revival to Global Heritage Caroline Bithell 27. Irish Music Revivals Through Generations of Diaspora Sean Williams 28. Reviving the Reluctant Art of Iranian Dance in Iran and in the American Diaspora Anthony Shay 29. Musical Remembrance, Exile, and the Remaking of South African Jazz (1960-1979) Carol Ann Muller Afterword 30. Re-flections Mark Slobin

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Author Information

Caroline Bithell is Senior Lecturer in Ethnomusicology at the University of Manchester, UK. Her work on Corsican music has appeared across a range of edited volumes and journals. Her first monograph, Transported by Song: Corsican Voices from Oral Tradition to World Stage, was published by Scarecrow Press (2007). Her edited collection, The Past in Music, appeared as a special issue of the journal Ethnomusicology Forum (2007). Her new monograph, A Different Voice, A Different Song: Reclaiming Community through the Natural Voice and World Song, is published by Oxford University Press (2014). Her current research focuses on Georgian polyphony, intangible cultural heritage, and cultural tourism. Juniper Hill is Lecturer in Music at University College Cork, Ireland, and Research Associate at the University of Cambridge, UK. The recipient of two Fulbright Fellowships, a Marie Curie Intra-European Fellowship, an Alexander Von Humboldt Fellowship, and a University of California Faculty Fellowship, she has conducted fieldwork in Finland, South Africa, the United States, and Ecuador. She has published in the journals Ethnomusicology, Ethnomusicology Forum, Musiikin Suunta, Pacific Review of Ethnomusicology, Revue de Musicologie, and Yearbook for Traditional Music as well as in edited volumes such as Musical Imaginations (OUP 2012). Her monograph Becoming Creative: Insights from Musicians in a Diverse World is forthcoming from Oxford University Press.

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