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Author:   Carrie Westwater
Publisher:   Springer International Publishing AG
Imprint:   Palgrave Macmillan
ISBN:  

9783031554346

ISBN 10:   3031554345
Pages:   225
Publication Date:   24 May 2025
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

Chapter 1. Introduction: setting out the parameters.- Chapter 2. Why is this book called The Othering Museum?.- Chapter 3. Addressing cognitive dissonance in museums.- Chapter 4.  The Activist Museum (Janes and Sandell, 2019) a new ‘identity’ through language?.- Chapter 5. Truth, Power, Participation and Discourse.- Chapter 6. Power and identity.- Chapter 7. Bordieuan [dis]positions: locations of responsibility.- Chapter 8. From Language to languaging: from site of power to sites of openness.- Chapter 9. A profound edge’ (hooks, 1989): Theatre as participatory activism.- Chapter 10.  Transitioning participant fear: oppressions and symbolic power.- Transitions from Selective Curation to Non - Selective.- Chapter 11. CurioUS and The Intercultural Project.- Chapter 12. Bricks and Mortar.- Chapter 13. The frontstage power of non-selective curation.- Chapter 14. Museums Made Dark.- Chapter 15. Findings from the development phase of NSC: Two 'back stages', how power performs on different pages by skirting the margins.- Chapter 16. Conclusion: Transitioning from selective to non-selective implementations for NSC.- CHAPTER 17. The development of NSC.

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Author Information

Dr Carrie Westwater is a Lecturer (Teaching & Research) in the field of Creative and Cultural Industries at Cardiff University, UK. Her research has a special focus on Human and Cultural Rights, spatial and social justice and participatory arts. She is most interested in theatre and film that either function as tools to address trauma and complex societal issues, or represents them.

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