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OverviewFull Product DetailsAuthor: Jocelyn Szczepaniak-Gillece (Assistant Professor, Department of English/Film Studies Program, Assistant Professor, Department of English/Film Studies Program, University of Wisconsin-Milwaukee)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.10cm , Height: 1.50cm , Length: 15.50cm Weight: 0.363kg ISBN: 9780190689360ISBN 10: 0190689366 Pages: 210 Publication Date: 27 September 2018 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction: The Theater, the Film, and the Spectator Chapter One: Nostalgia for the Dark - Ben Schlanger and the Beginning of Neutralization, 1920-1932 Chapter Two: A Field of Light - Optics and the Demasked Screen, 1932-1952 Chapter Three: A Mobile Gaze Through Time & Space: Neutralization in the Era of Widescreen, 1950-1960 Chapter Four: Cinephilia in Ruins: An Audience of the Elite, 1960-1970 Coda IndexReviewsMovie theaters are not just places to see a film. They are sites in which to experience new technologies, explore immersive environments and to innovate new modes of seeing and hearing. This fascinating book shows us that movie theaters have long been irretrievably shaped by dynamic debates across fields such as modernism, architecture, design, and commercial entertainment, inviting us to look beyond the screen and at the spaces in which movies have long been embedded. This book is essential reading for those interested in the history of theaters and cinema, as well as those interested in modernity, entertainment, and the persistent transformation of the human senses by technological design. * Haidee Wasson, Concordia University * Szczepaniak-Gillece's book on exhibition history tells an utterly captivating and theoretically complex story of the architectonics of theatrical space and its impact on spectatorial attention and absorption. The Optical Vacuum makes a stunning contribution to the vibrant field of Screen Studies, arguing that design can never be divorced from the viewing experiences imagined by cinephiles as well as the doyens of modernism. * Alison Griffiths, The City University of New York * Author InformationJocelyn Szczepaniak-Gillece is Assistant Professor of English and Film Studies at the University of Wisconsin-Milwaukee. Tab Content 6Author Website:Countries AvailableAll regions |