Overview

In the usual order of things, lives run their course and eventually one becomes who one is. Bodily and psychic transformations do nothing but reinforce the permanence of identity. But as a result of serious trauma, or sometimes for no reason at all, a subject’s history splits and a new, unprecedented persona comes to live with the former person - an unrecognizable persona whose present comes from no past and whose future harbors nothing to come; an existential improvisation, a form born of the accident and by accident. Out of a deep cut opened in a biography, a new being comes into the world for a second time. What is this form? A face? A psychological profile? What ontology can it account for, if ontology has always been attached to the essential, forever blind to the aléa of transformations? What history of being can the plastic power of destruction explain? What can it tell us about the explosive tendency of existence that secretly threatens each one of us? Continuing her reflections on destructive plasticity, split identities and the psychic consequences experienced by those who have suffered brain injury or have been traumatized by war and other catastrophes, Catherine Malabou invites us to join her in a philosophic and literary adventure in which Spinoza, Deleuze and Freud cross paths with Proust and Duras.

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9780745652610

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Reviews

Situating the concept of plasticity within the history of philosophy, specifically the work of Hegel, Catherine Malabou has developed the means of invigorating philosophy's relation to science. Here she takes up the challenge of rethinking 'destruction', 'negativity', 'loss' and 'death'; terms which stand opposed to plasticity within the structure of plasticity itself. This work marks a significant development in Malabou's important philosophical project. Andrew Benjamin, Monash University Through profiles of Spinoza, Deleuze, Proust, Kafka, Duras, Freud and others, Catherine Malabou has produced an exciting extension of her analysis of plasticity in its darkest and most disturbing dimension. Explosive plasticity - catastrophe, breakdown, destruction without remission, repair or promise - sculpts a new deformed form, a deviation in being as a form of being, an adieu to life while still alive, each with a phenomenology of its own. Her exploration of the accident as a category of being confirms once again her reputation as one of the brightest stars of the new generation of French philosophers. John D. Caputo, Syracuse University

Through engaging profiles of Spinoza, Deleuze, Proust, Kafka, Duras, Freud and others, Catherine Malabou has produced an exciting extension of her analysis of plasticity in its darkest and most disturbing dimension. Explosive plasticityNcatastrophe, breakdown, destruction without remission, repair or promiseNsculpts a wholly new deformed form, a deviation in being as a form of being, an adieu to life while still alive, each with a phenomenology of its own. Her unique exploration of the accident as a category of being confirms once again her reputation as one of the brightest stars in the firmament of the new generation of French philosophers. John D. Caputo

Situating the concept of plasticity within the history of philosophy, specifically the work of Hegel, Catherine Malabou has developed the means of invigorating philosophy's relation to science. Here she takes up the challenge of rethinking 'destruction', 'negativity', 'loss' and 'death'; terms which stand opposed to plasticity within the structure of plasticity itself. This work marks a significant development in Malabou's important philosophical project. Andrew Benjamin, Monash University Through profiles of Spinoza, Deleuze, Proust, Kafka, Duras, Freud and others, Catherine Malabou has produced an exciting extension of her analysis of plasticity in its darkest and most disturbing dimension. Explosive plasticity - catastrophe, breakdown, destruction without remission, repair or promise - sculpts a new deformed form, a deviation in being as a form of being, an adieu to life while still alive, each with a phenomenology of its own. Her exploration of the accident as a category of being confirms once again her reputation as one of the brightest stars of the new generation of French philosophers. John D. Caputo, Syracuse University

Author Information

Catherine Malabou is Professor of Philosophy at Kingston University London.

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