The Nude: Understanding the Elements of Life Drawing

Author:   Giovanni Civardi
Publisher:   Search Press Ltd
ISBN:  

9781844482443


Pages:   64
Publication Date:   06 March 2007
Format:   Paperback
Availability:   Awaiting stock   Availability explained


Our Price $47.39 Quantity:  
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The Nude: Understanding the Elements of Life Drawing


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Overview

Giovanni Civardi explains how to draw the human figure, building from the first principles of proportion, structure, posture and volume to more complex ideas such as rhythm and composition. This approach provides all artists, from beginner to expert with a comprehensive basis for all aspects of drawing the nude; including advice and suggestions for the practical aspects of drawing the nude from life. This beautiful book is packed full of ideas and techniques for drawing the human figure, a constant source of inspiration for artists.

Full Product Details

Author:   Giovanni Civardi
Publisher:   Search Press Ltd
Imprint:   Search Press Ltd
Dimensions:   Width: 21.00cm , Height: 0.50cm , Length: 29.50cm
Weight:   0.318kg
ISBN:  

9781844482443


ISBN 10:   1844482448
Pages:   64
Publication Date:   06 March 2007
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Out of Stock Indefinitely
Availability:   Awaiting stock   Availability explained

Table of Contents

Reviews

April 2007 Persuade somebody out of their clothes, and have a go at drawing a nude! No budding artist who wants to paint people can hope to do a good job until they know what lies beneath clothing and can draw it. Getting the proportions right, making flesh look rounded in the right places and drawing those tricky bits like fingers, toes and hair are complicated, so who better than Search Press' own Italian artist to show you how it is done? This is about drawing and so all the sketches are in pencil. Learn about proportion and how it works, reduce the human body to a set of shapes and think about what lies under the skin. Different poses, how limbs etc look when doing a variety of things and how perspective works. Get to grips with light and shade, foreshortening and more; in fact, pretty much everything I can think of in an admirably short book filled with helpful studies. It certainly got me thinking about the body and how to put it onto paper, and even if you cannot immediately get hold of a real model you can learn a lot by copying the studies here. Of particular use is the first section of the book, which explains about proportion and structure as without this nothing can come after. A very handy no-nonsense primer. Myshelf.com May 07 There's a lot to be said for a book on figure drawing that finishes after 64 pages. This is, of course, a huge subject and some equally huge and all-encompassing books have been written about it which are both exhaustive and exhausting. In a series of wonderfully sensitive pencil drawings, Giovanni looks at the practice of figure drawing, explaining the main form, proportion, basic anatomy, muscle structure, perspective and pose. The limited extent of the book means that everything has to be done succinctly and you don't get page after page of almost identical analyses of muscles or barely-changed poses. The converse of this is, of course, that the book can only really scratch the surface but, if you want a well thought-out introduction to a huge subject that can be a lifetime's study in itself, there really is no better place to start. Artbookreview.net


May 07 There's a lot to be said for a book on figure drawing that finishes after 64 pages. This is, of course, a huge subject and some equally huge and all-encompassing books have been written about it which are both exhaustive and exhausting. In a series of wonderfully sensitive pencil drawings, Giovanni looks at the practice of figure drawing, explaining the main form, proportion, basic anatomy, muscle structure, perspective and pose. The limited extent of the book means that everything has to be done succinctly and you don't get page after page of almost identical analyses of muscles or barely-changed poses. The converse of this is, of course, that the book can only really scratch the surface but, if you want a well thought-out introduction to a huge subject that can be a lifetime's study in itself, there really is no better place to start. * Artbookreview.net * April 2007 Persuade somebody out of their clothes, and have a go at drawing a nude! No budding artist who wants to paint people can hope to do a good job until they know what lies beneath clothing and can draw it. Getting the proportions right, making flesh look rounded in the right places and drawing those tricky bits like fingers, toes and hair are complicated, so who better than Search Press' own Italian artist to show you how it is done? This is about drawing and so all the sketches are in pencil. Learn about proportion and how it works, reduce the human body to a set of shapes and think about what lies under the skin. Different poses, how limbs etc look when doing a variety of things and how perspective works. Get to grips with light and shade, foreshortening and more; in fact, pretty much everything I can think of in an admirably short book filled with helpful studies. It certainly got me thinking about the body and how to put it onto paper, and even if you cannot immediately get hold of a real model you can learn a lot by copying the studies here. Of particular use is the first section of the book, which explains about proportion and structure as without this nothing can come after. A very handy no-nonsense primer. * Myshelf.com *


April 2007 Persuade somebody out of their clothes, and have a go at drawing a nude! No budding artist who wants to paint people can hope to do a good job until they know what lies beneath clothing and can draw it. Getting the proportions right, making flesh look rounded in the right places and drawing those tricky bits like fingers, toes and hair are complicated, so who better than Search Press' own Italian artist to show you how it is done? This is about drawing and so all the sketches are in pencil. Learn about proportion and how it works, reduce the human body to a set of shapes and think about what lies under the skin. Different poses, how limbs etc look when doing a variety of things and how perspective works. Get to grips with light and shade, foreshortening and more; in fact, pretty much everything I can think of in an admirably short book filled with helpful studies. It certainly got me thinking about the body and how to put it onto paper, and even if you cannot immediately get hold of a real model you can learn a lot by copying the studies here. Of particular use is the first section of the book, which explains about proportion and structure as without this nothing can come after. A very handy no-nonsense primer. * Myshelf.com * May 07 There’s a lot to be said for a book on figure drawing that finishes after 64 pages. This is, of course, a huge subject and some equally huge and all-encompassing books have been written about it which are both exhaustive and exhausting. In a series of wonderfully sensitive pencil drawings, Giovanni looks at the practice of figure drawing, explaining the main form, proportion, basic anatomy, muscle structure, perspective and pose. The limited extent of the book means that everything has to be done succinctly and you don’t get page after page of almost identical analyses of muscles or barely-changed poses. The converse of this is, of course, that the book can only really scratch the surface but, if you want a well thought-out introduction to a huge subject that can be a lifetime’s study in itself, there really is no better place to start. * Artbookreview.net *


April 2007 Persuade somebody out of their clothes, and have a go at drawing a nude! No budding artist who wants to paint people can hope to do a good job until they know what lies beneath clothing and can draw it. Getting the proportions right, making flesh look rounded in the right places and drawing those tricky bits like fingers, toes and hair are complicated, so who better than Search Press' own Italian artist to show you how it is done? This is about drawing and so all the sketches are in pencil. Learn about proportion and how it works, reduce the human body to a set of shapes and think about what lies under the skin. Different poses, how limbs etc look when doing a variety of things and how perspective works. Get to grips with light and shade, foreshortening and more; in fact, pretty much everything I can think of in an admirably short book filled with helpful studies. It certainly got me thinking about the body and how to put it onto paper, and even if you cannot immediately get hold of a real model you can learn a lot by copying the studies here. Of particular use is the first section of the book, which explains about proportion and structure as without this nothing can come after. A very handy no-nonsense primer. * Myshelf.com * May 07 There's a lot to be said for a book on figure drawing that finishes after 64 pages. This is, of course, a huge subject and some equally huge and all-encompassing books have been written about it which are both exhaustive and exhausting. In a series of wonderfully sensitive pencil drawings, Giovanni looks at the practice of figure drawing, explaining the main form, proportion, basic anatomy, muscle structure, perspective and pose. The limited extent of the book means that everything has to be done succinctly and you don't get page after page of almost identical analyses of muscles or barely-changed poses. The converse of this is, of course, that the book can only really scratch the surface but, if you want a well thought-out introduction to a huge subject that can be a lifetime's study in itself, there really is no better place to start. * Artbookreview.net *


Author Information

Giovanni Civardi is a best-selling Italian artist and author, with over 600,000 copies of his books sold worldwide in English alone. Civardi was born in Milan, Italy in 1947. While training to become a sculptor, portrait artist and illustrator at the Free Life-Study School of the Accademia di Brera, he also studied medicine and surgery. For over a decade, he worked as an illustrator, producing commissions for newspapers, magazines and book covers. During frequent trips to France and Denmark, Civardi put on one-man exhibitions of this work and pursued his interest in studying the relationship between medical anatomy and the human form as depicted by the artist. His experience gained from teaching anatomy, life drawing and portraiture in schools and institutions over many years has led to the publication of numerous books in which Civardi's experiences are brought into focus. For more work and information visit his website: www.giovannicivardi.it.

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